In animation, you can often defer decisions or make changes later. John Knoll More Quotes by John Knoll More Quotes From John Knoll Any tool can be used for good or bad. It's really the ethics of the artist using it. John Knoll bad good ethics artist There are things that I am nostalgic about from the 'good old days.' I loved motion control cameras, actually. I love the way they sound. I used to do a lot of miniature work, and it's still warranted, but it's done less often, largely for budgetary, schedule, and flexibility reasons. John Knoll i-am good work love You can hardly turn around and not see something that was done in Photoshop. John Knoll something see you done Having been a cameraman, I think about, 'Well, if this was real, how would this be shot?' I try to inject as much realism as much as possible. John Knoll possible try think real 'Pacific Rim,' for me, was a chance to touch on those old Toho monster movies. 'Godzilla' and 'Rodan'... and then 'Ultraman' and 'Robotech' and all those kinds of things. John Knoll movies things me chance Often if a picture is in trouble one way or another, there are ways to salvage it, through reshoots or whatever. John Knoll picture whatever trouble way When I was a kid, one of my hobbies was as model-maker. John Knoll kid hobbies I've been lucky enough in my career to have opportunities to revisit things that meant a lot to me in childhood. John Knoll me childhood lucky enough Reacting is so important to the craft of acting. John Knoll craft reacting acting important Eighty percent of my job is to ask the question, 'If this were real, what would it look like?' John Knoll job like look real When I was a kid, I built miniatures, and that was actually the first thing I did professionally in the film industry. It was a demonstrable skill that I had, so I worked as a model maker. John Knoll skill first kid film If you need to do a movie where you have an army of 10,000 soldiers, that's a very difficult thing to shoot for real. It's very expensive, but as computer graphics techniques make that cheaper, it'll be more possible to make pictures on an epic scale, which we haven't really seen since the '50s and '60s. John Knoll pictures soldiers you army ILM was the first company that I had worked at that had a computer-graphics division. John Knoll had first company division I've always lived by the principle of find what you really enjoy doing and make it your career. John Knoll doing you always enjoy Life's too short to be spending all your waking hours doing something you're not excited about. And when people are that excited, you can see it in the work. John Knoll you work life people Almost everything I've been paid to do was something that was largely self-taught. John Knoll almost something been everything It's harder to get your second picture than it is to get your first one. John Knoll picture your first get You have to do what the story demands, but inside of those constraints, I try to inject as much realistic physics as I'm allowed to. John Knoll story try you physics When you are shooting traditional motion capture, it's a big footprint on set. There are, like, 16 cameras that are needed and constraints over the lighting. John Knoll like you shooting capture Ideally, you will never know that you're seeing a computer-generated car. John Knoll never know you car
