In the anxiety to get beautiful colour harmony do not exhaust all combinations on one canvas. John F. Carlson More Quotes by John F. Carlson More Quotes From John F. Carlson We must have design in a picture even at the expense of truth. You are using nature for your artistic needs. John F. Carlson artistic design needs To the artist, the forest is an asylum of peace and dancing shadows. John F. Carlson dancing artist peace Good colour really means good taste; and 'powerful' colour means a reserve, to give a climax its full force, and not 'red, white, and blue all over. John F. Carlson powerful blue mean Too much reality in a picture is always a disappointment to the imaginative soul. We love suggestion and not hard facts. John F. Carlson disappointment soul reality The great paintings are the ones with the most subtle value relationships. The closer you could bring your values and still distinguish between them, the stronger you were as a painter. John F. Carlson subtle painting stronger You will learn to paint trees only by understanding them, their growth, their nature, their movement - and realizing that they are conscious living things. A tree seldom if ever encroaches upon the liberty of another tree. It never wastes its growth in unnecessary twistings. John F. Carlson growth understanding tree Art is a thing so much of the imagination, of the soul, that it is difficult to descend to the fundamentals of technique and yet make it plain to the student that these are but the 'means' and not an end in themselves. John F. Carlson imagination mean art A picture is a work of art, not because it is 'modern,' nor because it is 'ancient,' but because it is a sincere expression of human feeling. John F. Carlson expression feelings art Do not be afraid that too much labour over the composition is going to kill the spontaneity. Those who absorb and digest their experiences are, of a sudden, mountains of strength and can produce pictures with spontaneous start and finish. John F. Carlson mountain spontaneity too-much Reserve is strength; overstatement is weakness. No one cares to hear the singer's topmost notes when the voice is 'nigh onto breaking. John F. Carlson weakness voice strength Trust your feelings entirely about colour, and then, even if you arrive at no infallible colour theory, you will at least have the credit of having your own colour sense. John F. Carlson credit trust feelings Clouds are fascinating to paint because they are the only element in a landscape that possesses free movement. John F. Carlson elements movement clouds It is a curious fact that out-of-door nature is to the beginner an enormously overloaded 'property room.' He sees, for instance, the myriad of leaves upon the tree long before he sees the tree at all. John F. Carlson doors tree long If you're going to paint from photos, make sure you've painted for at least ten years. John F. Carlson paint photography years The artist himself is often surprised at the finished work of art. He cannot tell 'how it happened', nor could he repeat the feat at someone's bidding. John F. Carlson bidding repeats art We must not imitate the externals of nature with so much fidelity that the picture fails to evoke that wonderful teasing recurrence of emotion that marks the contemplation of a work of art. John F. Carlson emotion wonderful art A work of art in paint should be beautiful and expressive as abstract colour and form and should not interest us necessarily in any 'story' outside of itself - or else it belongs to the field of illustration. John F. Carlson illustration beautiful art The eye and soul are caressed in the contemplation of form and colour. The subtle changes of colour over a surface - transitions that are like music - are intangible in their reaction upon us. There is an immediate sensuous appeal! John F. Carlson transition eye soul Rest assured that if you work every day at your art, using the materials nearest at hand, you will gradually discover such beauty in them that they will fill you with happiness. John F. Carlson happiness hands art It is the ability to determine consciously what it is that interests him, and why, that differentiates the artist from the art student. John F. Carlson ability students art
