In the language of an actor, to know is synonymous with to feel Constantin Stanislavski More Quotes by Constantin Stanislavski More Quotes From Constantin Stanislavski The person you are is a thousand times more interesting than the best actor you could ever hope to be. Constantin Stanislavski actorsthousandinteresting Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part. Constantin Stanislavski exception-to-the-ruleartistreal All action in theatre must have inner justification, be logical, coherent, and real. Constantin Stanislavski theatrerealaction The life of a character should be an unbroken line of events and emotions, but a play only gives us a few moments on that line - we must create the rest to portray a convincing life. Constantin Stanislavski playgivingcharacter The actor must use his imagination to be able to answer all questions (when, where, why, how). Make the make-believer existence more definite. Constantin Stanislavski actorsimaginationuse Create your own method. Don't depend slavishly on mine. Make up something that will work for you! But keep breaking traditions, I beg you. Constantin Stanislavski originalitytraditionbreak-up Remember this practical piece of advice: Never come into the theatre with mud on your feet. Leave your dust and dirt outside. Check your little worries, squabbles, petty difficulties with your outside clothing - all the things that ruin your life and draw your attention away from your art - at the door. Constantin Stanislavski doorslifeart The language of the body is the key that can unlock the soul. Constantin Stanislavski communicationkeyssoul Never allow yourself externally to portray anything that you have not inwardly experienced and which is not even interesting to you. Constantin Stanislavski interesting Play well, or play badly, but play truly. Constantin Stanislavski wellstheatreplay What is important to me is not the truth outside myself, but the truth within myself. Constantin Stanislavski important When you're playing a character who's cruel, look for the places where he's kind. When you're playing a character who is unhappy, look for the places where he has a glint of merriment. Constantin Stanislavski unhappycharacterlooks Who am I? What will I be? Why am I here? Where am I going? Constantin Stanislavski crafts In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond. Constantin Stanislavski common-purposephilosophytwo When an actor is completely absorbed by some profoundly moving objective so that he throws his whole being passionately into its execution, he reaches a state we call inspiration. Constantin Stanislavski actorsinspirationmoving The main difference between the art of the actor and all other arts is that every other [non-performing] artist may create whenever he is in the mood of inspiration. But the artist of the stage must be the master of his own inspiration, and must know how to call it forth at the hour announced on the posters of the theatre. This is the chief secret of our art. Constantin Stanislavski differencesinspirationart Every person who is really an artist desires to create inside of himself another, deeper, more interesting life than the one that actually surrounds him. Constantin Stanislavski artistdesireinteresting You must be so thoroughly immersed in the given circumstances of the play, then you decide what it is at any given moment what that the actor wants. Constantin Stanislavski actorswantplay Love the art in yourself, not yourself in the art. Constantin Stanislavski loveart Doubt is the enemy of creativeness. Constantin Stanislavski creativenessdoubtenemy
