In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking. Robert Morgan More Quotes by Robert Morgan More Quotes From Robert Morgan Distance not only gives nostalgia, but perspective, and maybe objectivity. Robert Morgan distance objectivity giving One of the most powerful devices is to distort time, to go from human time to atomic time, geologic time. Sometimes you can actually accomplish that, with one unexpected word choice. Robert Morgan unexpected powerful choices I think that it's more likely that in my 60s and 70s I will be writing poetry rather than fiction. Robert Morgan writing fiction thinking If people associate me with a region, that's fine with me. Robert Morgan regions fine people In the best fiction, the language itself can become almost invisible. Robert Morgan invisible language fiction In the later books I am much more at home in the use of language to describe things. I had never thought of that until a critic pointed that out. Robert Morgan use home book Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that. Robert Morgan southern powerful writing Neither of my parents has been very sensitive about my writing. Robert Morgan sensitive parent writing Some people swear by writing courses, but whether it really helps American poetry, I have doubts. Robert Morgan doubt writing people Some people want to call me an Appalachian writer, even though I know some people use regional labels to belittle. Robert Morgan labels use people Southern poets are still writing narrative poems, poems in forms, dramatic poems. Robert Morgan narrative southern writing The best books of our times have included the three mature volumes of Philip Larkin. They're very short books of poems, and very carefully arranged. Robert Morgan mature three book I seem to keep returning to my father in poems because his personality was so extreme, so driven. He did everything to excess. Robert Morgan excess personality father I learned to impersonate the kind of person that talks about poetry. It comes from teaching, I think. Robert Morgan kind teaching thinking I encourage students to pursue an idea far enough so they can see what the cliches and stereotypes are. Only then do they begin to hit pay dirt. Robert Morgan encouragement pay ideas I did not have a very literary background. I came to poetry from the sciences and mathematics, and also through an interest in Japanese and Chinese poetry in translation. Robert Morgan chinese mathematics interest Fiction is about intimacy with characters, events, places. Robert Morgan events character fiction I don't think poetry is something that can be taught. We can encourage young writers, but what you can't teach them is the very essence of poetry. Robert Morgan taught essence thinking I love to create interesting textures with language. You can do it as long as it seems like a discovery. Robert Morgan discovery long interesting You have to really dive deep back into yourself and get rid of so much modern analytical categorization. It's one of the great things poetry does. Robert Morgan categorization modern doe
