It is rare that you read scripts that genuinely move you and make you feel that, regardless of the commercial possibilities, you have to make the film.

Eric Fellner

Categorized in : You Feel Possibilities Rare

Technical problems are like gremlins. They come and go. by Eric Fellner

Technical problems are like gremlins. They come and go.

comes-and-goes gremlins problem

The writer Richard Curtis is a genius. by Eric Fellner

The writer Richard Curtis is a genius.

For us in England, the relative value of the pound against the dollar, that has a huge impact on how easy it is to get our films made in the U.K.

relative-value impact dollars

I love all my Wrights and it would be impossible to say which one I love more, but if you really pushed me, it would be Joe.

ifs would-be impossible

Do we have good writers, producers and actors in the U.K.? Yes we... by Eric Fellner

Do we have good writers, producers and actors in the U.K.? Yes we do.

good-writers actors producers

The idea that the Tony committee and the New York theater community as a whole have embraced Billy Elliot is very, very exciting.

community new-york ideas

Making movies is like herding cats. by Eric Fellner

Making movies is like herding cats.

herding-cats cat

I think everyone's going to really try to keep costs down. The more you keep costs down, the more freedom you have creatively. I can protect my filmmakers from any form of creative interference, be it from anywhere, if we're all acting in a responsible way and making the pain of a failure be as little as possible.

pain creative thinking

The UK needs more first class studio space to encourage the growt... by Eric Fellner

The UK needs more first class studio space to encourage the growth of the film and TV sector.

growth space class

My theory is, I don't know how long it's going to be five or ten years, there will be only two ways to see a movie and that will either be on your computer through your TV screen or in the cinema, end of story. There will be no DVD, that's it, simple.

dvds simple years

The pay window will be: you can choose how and when you see, whether you see it on Comcast or Warner's Cable delivery system or Sky in the UK or you can buy it through Apple, or you might even buy it directly from the studio's site. Who knows? But that will be it. You'll go to the cinema and you'll find a way of digitally interacting with the piece; you'll either buy it or rent it or whatever.

apples cinema sky

For me, I can't tell you if the film is good or bad, all I can say is for me the film is way better than I had expectation of us being able to make. So for me that's the most important thing. Have we exceeded our dream in terms of what it could be?

important expectations dream

The dream was to not only make a good-looking film that engaged, but also had the DNA of the show so the fans would love it and also as important had the opportunity to cross over out of the fans because of the price-point. You make a film that's 60 million dollars you can't just appeal to musical theater fans.

dna dream opportunity

There's always that possibility. But, it would take a hell of a lot of work. Because unlike a movie where you just have to do a little ADR and then some mixing, we've actually got to bring the orchestra back because there is music, as you probably noticed, right the way through the film so you have to orchestrate all of that extra time.

extra-time orchestra mixing

It wasn't like we cut songs out; we cut bits of songs, bits of action or bits of whatever. So we would have to go back in get a full orchestra re-orchestrate it, re-score it, re-record it. It's a massive job. But, if there's a demand we can always discuss it.

cutting song jobs

In terms of putting the cast together, no problems. You know, the only problem always is just price-point. Our ambitions as we get older, all of us, is to try and do more.

ambition together trying

But in the former, those movie sets that you've been on like that, even if they're huge movies and most of its being spent in special effects afterwards, I think that's the way that we're going.

special way thinking

People are piling into England, there's lots of studio films happening there. When we budget our films we multiply it by 1.55 it's much easier than when we multiply it by 2 so the cost looks a lot less in dollars, because everybody talks in dollars in terms of finance. And then the shift that I think is coming, I hope is coming, is movies made in a..."simple" is the wrong word, you visit movie sets all the time I imagine, the whole process has just got so big.

simple people thinking

Oh, IMDB, yeah; there's a few things on there that are TV, they're not film, some things they think we did that we didn't. There's a few inaccuracies in there. It's terrifying though, isn't it?

film tvs thinking

The shifts happen on a regular basis, but it's like a cycle. So things come in and out of vogue and then five years later they're back in vogue. Or there seems to be a theory that this is the way the industry will go and everybody goes over that way and then something happens to the country and you're back again at the place you were.

country way years