It's a funny thing with documentary films - you want them to feel as entertaining and as gripping as a fictional film. With a fictional film you want it to feel as realistic as a documentary film. Jonathan Demme More Quotes by Jonathan Demme More Quotes From Jonathan Demme It's such a rich experience when you enter into a subject from a documentary point of view. It's hard for fiction to compete with that. Jonathan Demme documentaries views fiction I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life. Jonathan Demme white song years I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go. Jonathan Demme cameras ideas interesting As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it. Jonathan Demme passionate guitar choices I remember the Neil Young brand hitting me very hard immediately. He wasn't an acquired taste. I loved him immediately. Jonathan Demme hitting taste remember Every film deserves its own unique look. Jonathan Demme film unique looks A trilogy is a pretty abstract notion. You can apply it to almost any three things. Jonathan Demme trilogies abstract three I was a sort of rock journalist - whatever that is - in London in the late '60s. Jonathan Demme late rocks london I only work with actors who take full responsibility for their characters. Jonathan Demme actors responsibility character I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films. Jonathan Demme documentaries film thinking Maybe that's where the new art comes in - to somehow have your eye on the marketplace and harness your art to come up with something you can be proud of creatively. Jonathan Demme proud eye art When we finished 'Stop Making Sense,' we went right to the San Francisco Film Festival for the world premiere, and people swarmed the stage and started dancing before the first song was even finished. Jonathan Demme stop song people world You want the audience to be in the character's shoes. The more deeply into the character's shoes the audience is, the more they're going to care about what's going on. Jonathan Demme you shoes care character Tak Fujimoto and I, when we started getting enough of a budget where we could afford the right lenses - 'cause we started out doing low-budget pictures together - we started experimenting with this subjective camera thing. And we kind of fell in love with the idea of using that as our close-up. Jonathan Demme pictures camera together love By the time I got to 'Silence of the Lambs,' I was madly in love with close-ups because I'm madly in love with actors, and a basic premise of 'Silence of the Lambs' is the story about two people fighting their way into each other's heads. Jonathan Demme silence time love people It was so easy for me to see that Anthony would be a superb Dr. Lecter because he had been such an amazing good doctor in 'The Elephant Man'. He had been as believable a doctor as you can imagine, and he was good. Jonathan Demme good me you man
