It's always that one song that gets to you. You can hide, but the song comes to find you. Rob Sheffield More Quotes by Rob Sheffield More Quotes From Rob Sheffield Celebrity despicability is a precious thing. Rob Sheffield precious-things Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977. Rob Sheffield artistwould-besummer 'Drive,' that's the one. I love dozens of songs by R.E.M., but that's the one, even though it took me 7 or 8 years to start liking it. Rob Sheffield dozensongyears Every American wants a clean slate, but nobody wants to lose what they've got. Rob Sheffield slatecleanwant In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously. Rob Sheffield officestarstalking I will always love the Clash, because I loved them so much when I was fourteen, and I love how you can start a conversation with almost literally any dude about the Clash. Rob Sheffield fourteenclashconversation 'I'll Tumble 4 Ya' has to be one of the most ridiculous hit singles that any international superstars have given the world. Rob Sheffield superstarridiculousworld Hometown Aerosmith fans are different from other Aerosmith fans, and that mainly has to do with Joe Perry. It's tough to overstate his strange grip on the local psyche. Tyler is a star who belongs to the whole world, but Perry, that dude belongs to Boston. Rob Sheffield bostonfansstars It goes without saying that 'Buncha Losers' comedies speak to tough times. The massive unemployment of the Reagan years gave us 'Taxi,' 'Cheers' and the genre-defining 'Night Court,' a show you could never admit to watching without making people feel sorry for you. Rob Sheffield cheersorrynight Rebecca Black might sing like a robot, but that's just proof she has evolved beyond us. Her vocal is just a slightly exaggerated version of the robot glitch-twitch stutter that's been mainstream pop vocalese for the past 10 years or so. Rob Sheffield blackpastyears 'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp. Rob Sheffield dallasstylerevenge If the girls keep dancing, everybody's happy. If the girls don't dance, nobody's happy. Rob Sheffield girldancingifs I'd shut the whole world down just to tell you. Rob Sheffield whole-worldwholeworld You'd think if anyone could charm America into caring about the evening news, it would be Katie Couric, the Tri Delt from Virginia who became America's sweetheart on the 'Today' show. But her ratings have been dismal - she comes in last place every week. Rob Sheffield virginiacaringthinking When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst. Rob Sheffield indie-rockrocksyears 'The Voice' has lots of singers who fit the 'Idol' mold of young, innocent ingenues with psycho stage moms. But it also has long-suffering adult pros, with a whiff of thirtysomething despair in their voices. That adds an edge of realness. Rob Sheffield voicemomidols 'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten. Rob Sheffield debtboredcharacter The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds. Rob Sheffield creatingrocksgiving Sending Paris Hilton to jail for being the most loathed celeprosy lesion in the history of the species seems like a happening idea at first - forty-five days at Century Regional Detention Center is so the new thirty days at Promises Malibu! But it sets a dangerous precedent to jail celebs just because someone hates them. Rob Sheffield parishateideas Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd. Rob Sheffield guitaremotionalgames
