It's only human and natural that an actor should see the film in terms of his own part, but I, as a director, have to see the film as a whole. He must therefore collaborate selflessly, totally. Michelangelo Antonioni More Quotes by Michelangelo Antonioni More Quotes From Michelangelo Antonioni A film you can explain in words is not a real film. Michelangelo Antonioni filmreal When I am shooting a film I never think of how I want to shoot something; I simply shoot it. Michelangelo Antonioni shootingwantthinking We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see. Michelangelo Antonioni creativityphotographyart I read somewhere that happiness is like the bluebird of Maeterlinck: Try to catch it and it loses its color. It's like trying to hold water in your hands. The more you squeeze it, the more the water runs away. Michelangelo Antonioni colorrunninghands It's obvious that I must explain what I want from an actor, but I don't want to discuss everything I ask him to do, because often my requests are completely instinctive and there are things I can't explain. It's like painting: You don't know why you use pink instead of blue. You simply feel that's how it should be - pink. Then the phone rings and you answer it. When you come back, you don't want pink anymore and you use blue - without knowing why. You can't help it; that's just the way it is. Michelangelo Antonioni phonesknowingblue A film that can be described in words is not really a film. Michelangelo Antonioni film I think people talk too much; that's the truth of the matter. I do. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way. If people talk a lot less, they will be happier. Don't ask me why. Michelangelo Antonioni believepeoplethinking When I see nature, when I look into the sky, the dawn, the sun, the colors of insects, snow crystals, the night stars, I don't feel a need for God. Perhaps when I can no longer look and wonder, when I believe in nothing - then, perhaps, I might need something else. But I don't know what. Michelangelo Antonioni starsnightbelieve The script is simply a series of notes for the film. Michelangelo Antonioni notesscriptsfilm If an actor tries to understand too much, he will act in an intellectual and unnatural manner. Michelangelo Antonioni actorsintellectualtrying A woman's sex appeal is an inner matter. It stems from her mental make-up, basically. It's an attitude, not just a question of her physical features - that arrogant quality in a woman's femininity. Otherwise, all beautiful women would have sex appeal, which is not so. Michelangelo Antonioni attitudebeautifulsex The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up. Michelangelo Antonioni blowwantreality A man who renounces something is also a man who believes in something. Michelangelo Antonioni renouncemenbelieve A scene has to have a rhythm of its own, a structure of its own. Michelangelo Antonioni rhythmstructurescene I can't give any absolute definition of what love is, or even whether it ought to exist. Michelangelo Antonioni definitionslove-isgiving You cannot penetrate events with reportage. Michelangelo Antonioni penetrateevents Often to understand, we have to look into emptiness. Michelangelo Antonioni emptinesslooks We live in a society that compels us to go on using these concepts, and we no longer know what they mean. Michelangelo Antonioni goes-onknowsmean I meant exactly what I said: that we are saddled with a culture that hasn't advanced as far as science. Michelangelo Antonioni saidculture The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying. Michelangelo Antonioni possibilitycinemalying
