It's the lush track on the album, it has strings and gorgeous backing vocals. It's beautiful. Tony Visconti More Quotes by Tony Visconti More Quotes From Tony Visconti The eighties turned the whole system upside down. They would sign three groups and give them five or ten million dollars each to make three records. Out of those three records maybe one would be a hit. The economy changed, and that's why the music changed. Tony Visconti dollarsgroupsgiving I kind of liked the method of the seventies where they would throw a little bit of money at a hundred different groups - not millions of dollars per group, but, you know, a few thousand. Throw them in the studio, and if five of those groups came out with a hit record it would be money well spent. Tony Visconti dollarsgroupsdifferent Towards the end of the seventies pop was gaining the momentum and respectability was very high with groups like Yes and Queen who were making "classical" rock records. They were also bringing in big bucks. So the eighties became the "bottom line" decade. Tony Visconti rocksgroupsqueens You don't necessarily need expensive gear or giant budgets to reach an audience. Tony Visconti gearsgiantsneeds He's got a little setup there, and there was no clear communication from him until December. That's when he told me he was ready to make the album. Tony Visconti entertainment We were listening to a lot of Kendrick Lamar, we wound up with nothing like that, but we loved the fact Kendrick was so open-minded and he didn't do a straight-up hip-hop record. He threw everything on there, and that's exactly what we wanted to do. The goal, in many, many ways, was to avoid rock roll. Tony Visconti entertainment They can play something at the drop of a dime, [Keyboardist] Jason [Lindner] was a godsend. We gave him some pretty far-out chords, but he brought a jazz sensibility to re-voice them. Tony Visconti entertainment He's in fine health, he's just made a very rigorous album. Tony Visconti entertainment He also took some words from A Clockwork Orange, the lyrics are wacky, but a lot of British people, especially Londoners, will get every word. Tony Visconti entertainment I don't know what the song is referring to, but what he gives away is what he writes about. I think a lot of writers feel like, 'If you want to know about me, just study my lyrics.' That's why he doesn't give interviews. He's has revealed plenty in past interviews, but I think his life now is about his art. It's totally about what he's doing now. Tony Visconti entertainment At one point we were talking about three producers for the album: David, James and myself, [Murphy] was there for a brief time, but he had his own projects to go off to. Tony Visconti entertainment That's the hallmark of the way we work, he sounds really good when we do this effect called ADT, automatic double-tracking. Then we fooled around with some rippling, repeat echoes. They're all custom-made effects. Tony Visconti entertainment I don't think he's ever going to play live again, if he does, it will be a total surprise. Tony Visconti entertainment When he put out albums like Heroes and Low, no one was doing anything like that, and then he gave birth to the New Romantic scene. He's a genre-breaker, and I can't wait for the ? imitation albums to start coming out. Tony Visconti entertainment Jason's synthesizer didn't have a computer with souped-up programs like Omnisphere on it, he would just do it with guitar pedals, making all the sounds unique. We're like old school like that. Also, [bassist] Tim Lefebvre was just phenomenal to work with. He pretty much nailed every take right on the spot. Tony Visconti entertainment I could never have a better teacher in those days than my father. Tony Visconti betterneverteacherfather
