Michael Ralph brilliantly plays the street prophet, a West Indian who foreshadows the Harlem riot. Debbie Allen More Quotes by Debbie Allen More Quotes From Debbie Allen Failure: Is it a limitation? Bad timing? It's a lot of things. It's something you can't be afraid of, because you'll stop growing. The next step beyond failure could be your biggest success in life. Debbie Allen failure success inspirational You have to continue to believe in yourself, know your value and continue to work on honing your skills. I was rejected by everyone but here I sit. So you have to stay in the game, you can't just fall apart. Hopefully those challenges will make you stronger, it did for me. Debbie Allen challenges believe fall In places in the world where we don't speak the same language, or even understand that we pray to the same God, we dance to the same beat, that is the ONE. Debbie Allen language praying world But out of limitations comes creativity. Debbie Allen limitation creativity Be true. Be beautiful. Be free. In the midst of segregation and racism Mamma raised us to be independent and free. We saw ourselves as citizens of the world, not of a block. Debbie Allen independent block beautiful I'm driven by passion. I mean, I am tired right now. I work to a point of abandon. I am fueled by my understanding of the need for self-expression that exists for young people. Debbie Allen tired passion mean If you just change one person's life, you feel like you've done something. But if you can change a whole lot of them and get them looking at themselves differently, it's amazing. Debbie Allen like-you done feels My mother Vivian Ayers always instilled within her children that our opinions, our thoughts and our ideas about what was possible was important. My mother made me feel that I was important as a thinker at four-years-old. And I instill that within my students everyday. Debbie Allen everyday mother children I'm always moving forward. Debbie Allen always-moving moving-forward moving I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look. Debbie Allen cameras design looks The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that. Debbie Allen clothes body today I think a good director casts a film so that the actors bring a lot to the table. Debbie Allen actors directors thinking I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it. Debbie Allen real use world There are so many famous people now that are not really gifted or talented at doing anything other than getting made up, putting on tight dresses, acting badly, getting married. I mean, what the hell? I don't know where we are going with this here in America. And we are setting a tone for the world, because everyone looks at what we do. Debbie Allen mean america people Fame is fleeting, honey. Fame is fleeting and it changes. Debbie Allen fleeting fame honey It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage. Debbie Allen men children thinking You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person? Debbie Allen pages acting talking It's kind of dangerous to cut in the camera, but that's the only way I know how to direct. Debbie Allen cameras cutting way Time management is a big part of the director's job. Debbie Allen time-management jobs directors I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again? Debbie Allen cameras looks needs
