My father filmed me all the time as a kid, and that's how I was first exposed to a camera. Elizabeth Chai Vasarhelyi More Quotes by Elizabeth Chai Vasarhelyi More Quotes From Elizabeth Chai Vasarhelyi I was fortunate to come from a family that supported my dreams. Elizabeth Chai Vasarhelyi come dreams fortunate family Documentaries require an enormous amount of grit and empathy - and that is something women are incredibly strong at. Elizabeth Chai Vasarhelyi grit empathy women strong The mission of professional mountain climbers is almost impossibly difficult by design: Their very livelihood is based on achieving the unprecedented. Their expeditions are complicated, exhausting, often life-threatening. Risk is the fuel that keeps them going. Elizabeth Chai Vasarhelyi professional mission mountain design Parenthood has made me more cautious. Elizabeth Chai Vasarhelyi more me cautious made I was no stranger to risk myself, having made documentaries in dangerous conditions in Kosovo, Afghanistan, and Africa. Elizabeth Chai Vasarhelyi africa myself dangerous risk I've always sought to give opportunities to women, to people who come from a different background, to add diversity to the mix - in that I think it makes our work better. Elizabeth Chai Vasarhelyi women diversity work people In the past, I think my films that focused on African subjects struggled in the marketplace because of their subject matter. Elizabeth Chai Vasarhelyi think focused matter past I truly believe our work is an extension of who we are, and I constantly strive to push myself and my teams. Elizabeth Chai Vasarhelyi push myself work believe As a documentary filmmaker, 'Meru' was an irresistible challenge. You can spend years searching for the right story, but this one had all the elements: the obstacles, the characters, and the drama. Elizabeth Chai Vasarhelyi challenge story you obstacles The cinematography and the conditions in which 'Meru' was filmed drew me to the project. It's remarkable to think that everything in the film is real; these three men set out to attempt this impossible climb and to film it at the same time. Elizabeth Chai Vasarhelyi me impossible time men I joined 'Meru' midstream after my co-director Jimmy Chin had already filmed the 2008 and 2011 climbs. Elizabeth Chai Vasarhelyi joined chin after had At its heart, 'Meru' is a personal story. Elizabeth Chai Vasarhelyi personal-story personal story heart My parents are both immigrants, and we traveled a lot. Elizabeth Chai Vasarhelyi both parents traveled immigrants Growing up biracial and speaking four languages - French, Chinese, Portuguese, and English - gave me a different lens. I was always very acutely aware of coming from a different perspective. I think that definitely contributed to what I chose to do with my life. Elizabeth Chai Vasarhelyi my-life me perspective life I grew up in New York City, but the rest of the world was a very big part of my upbringing. Elizabeth Chai Vasarhelyi rest city new world I went to Princeton to major in comparative literature. I never went to film school, but I studied storytelling across mediums - poems, literature, film, and journalism. Elizabeth Chai Vasarhelyi never journalism literature school The top climbers in the world had attempted this climb and couldn't do it. That history is what makes Meru special. Elizabeth Chai Vasarhelyi climb special history world That's what happens in feature docs. The more time you spend, the more nuance emerges, the more a story evolves - but it's different than fiction, where you can reshoot something. Elizabeth Chai Vasarhelyi something story you time I wish I could say I've been following Youssou N'Dour all my life. I haven't. Elizabeth Chai Vasarhelyi i-wish my-life wish life There have been some wonderful climbing films, but for the most part, they are reenactments. Elizabeth Chai Vasarhelyi some been climbing wonderful
