My first book, 'The Age of Wire and String,' came out in 1995, and it was hardly reviewed at all. Ben Marcus More Quotes by Ben Marcus More Quotes From Ben Marcus Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth. Ben Marcus technology safe mouths It amazes me that parents are allowed to raise kids. There's so much power and often very little accountability. Ben Marcus accountability parent kids Eventually you stop paying attention to your own feelings when there's nothing to be done about them. Ben Marcus done feelings attention With students, one is often in the position where you have to be authoritative about what they're doing and connected to some principle. I prefer not really knowing the answer to anything interesting and I try to encourage that in teaching. If I start to feel certain about something my curiosity goes away, my mind shuts down. I'm sure that's not always true, it's stupid to generalise. Ben Marcus teaching stupid interesting When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level. Ben Marcus levels emotional writing Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise. Ben Marcus information disorder world A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it. Ben Marcus body self sometimes To me one of the amazing technologies of writing is the way it can listen in on thoughts. I don't feel that that's natural to other art forms in the same way. Ben Marcus technology writing art Being with him was like being alone underwater - everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced. Ben Marcus like-being-alone underwater love Machineries of reason, machineries of conduct, machineries of virtue. The machine that regulates instinct, keeps one’s hands free of another man’s throat, free of one’s own. These machines have all, as someone said, gone too long in the elements. Gummed now, rusted, bloodless. Ben Marcus men long hands Sorry, I said to myself, wondering how many times in my marriage I'd said that, how many times I'd meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry. Ben Marcus impact sorry love I always, at least back then, struggled with emotion in writing. I felt like I could do odd, unusual things, but there wouldn't be enough feeling in them, and maybe if there's a progression at all to anything that I've done it's that I've always wanted to have a high - an almost overwhelming - degree of feeling in what I write. Ben Marcus done feelings writing Suspense left my life a long time ago, now it has returned. I do not care for it. Ben Marcus suspense care long RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of. The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms - the dash gives the reader the clear signal they are coming. Ben Marcus pain wise art Rain is used as white noise when God is disgusted by too much prayer, when the sky is stuffed to bursting with the noise of what people need. Ben Marcus prayer rain sky Family seems so rich and complicated to me. There's meant to be this unfailing biological loyalty and yet at the same time it's this theatre for various kinds of cruelty. I know it doesn't always work out that way, but the worst possible behaviour is sort of allowed for. It looks to me like an endlessly rich container for really terrible drama, but also pretty grand love. It accommodates such a variety of feeling in such a natural way, and it feels so relatable, and yet it's such a funny construct, socially, the family. Ben Marcus work-out loyalty drama Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission. Ben Marcus weather wind book To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood. Ben Marcus misunderstood circles people I'm an enormous fan of Thomas Bernhard's books, and I like the relentless feeling in his work - the pursuit of darkness, the negative - and I think in some sense I've internalised that as what one is supposed to do. Ben Marcus darkness book thinking I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is? Ben Marcus choices real feelings
