My only obligation is to my characters. And they came from where I have been. Quentin Tarantino More Quotes by Quentin Tarantino More Quotes From Quentin Tarantino I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Quentin Tarantino genuine-friends colleagues together I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene just came to me. Quentin Tarantino django writing book Well, it's funny because, "The Green Leaves of Summer" and "The Alamo" theme are the same thing. There's just - the Brothers Four was a different recording of it. Quentin Tarantino different brother summer With everything I've done from "Jackie Brown" on, I got really into really writing more prose in the - in what you're calling the stage directions, all right, and consequently my scripts have gotten bigger and bigger, and cut to "Kill Bill Volume 1 and 2." Quentin Tarantino kill-bill calling writing I've always seen in Westerns it described or it's shown very vaguely, but I wanted this - I want us to show what they're doing to them, so you can actually see it. And if you notice in the movie, you know, it goes even beyond just scalping and stuff. Quentin Tarantino shows want stuff What the internet has done is destroy film criticism. I would never have guessed that the profession of film criticism would be going the way of the dodo bird. Quentin Tarantino criticism would-be bird But the idea of using the Apache resistance, one, it works effective to actually get German soldiers to think of Jews that way. 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Quentin Tarantino nicknames eight phones Oddly enough, most of the books written about the subject aren't very good because they just focus on the more hateful movies that they did very early, early on when they were trying to, you know, get Germany into the war, whether it be anti-Semitic movies like "Jud Suss," or "The Eternal Jew," or movies made against the Polish to help, you know, create sympathy for them to invade Poland. You know, there'd be movies where there would be some German girl living in Poland who's raped by the Polish or something. Quentin Tarantino girl war book I was just this video-store guy and now I was actually making movies and stuff. Quentin Tarantino video guy stuff And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene. Quentin Tarantino writing class ideas You can do all these kinds of things that are up close and personal, but you really have to bring your strength, and really - you have to really be committed to actually strangle the life out of somebody, to crush their larynx and just squeeze every drop of life out of them. Quentin Tarantino crush committed kind Then they'd [Nazi] make movies against England, you know, in the same way, to help, you know, feather their nest for what they - their aggressions. Quentin Tarantino nests england way "Dukes of Hazzard" or something you could, you know that, your work is going to be made up of that - episodic television shows. Not that I got many of them, but that was where I - but actually oddly enough though, they were teaching camera terminology at the same time in this acting class, so I actually was able to understand what rack focus and whip pan and all that stuff meant. Quentin Tarantino focus teaching class I didn't want my script to get too out of control like that. So I actually made it a point not to do stuff like that, to pretty - to keep it more sparse than it's been in the last few years, or the last decade. Quentin Tarantino want stuff years You're an actor, you want to do a scene in class. But one of the things I've always had is I've always had a really good memory. So I would go and watch a movie and then I would see a scene in the movie and I go, hey I'd like to do that in class this Wednesday. Quentin Tarantino class memories watches You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script. Quentin Tarantino reading writing thinking I think it almost all has to do with coming at writing from an acting perspective, because I didn't, like, study writing. I studied acting. Quentin Tarantino perspective writing thinking