Nic's Charlie is something very particular. You can't really put them together. It's a phantasm. Tilda Swinton More Quotes by Tilda Swinton More Quotes From Tilda Swinton I think that both Luca [ Guadagnino]and I have a kind of resistance to the idea of a film holding a moral message because that would exclude so many people from feeling that it was their film and it's important for a piece of work to feel owned by every member of the audience. Tilda Swinton people ideas thinking I think that a real film fan experience is about a kind of omnivorous experience. Tilda Swinton fans real thinking It was an amazing performer. Very temperamental, it spent a lot of time in its trailer. Tilda Swinton temperament trailers performers There's no need there to sit with the filmmaker for 11 years to develop the script, or go round the world raising money. Tilda Swinton world years needs What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact. Tilda Swinton opulence cameras people Faith is in the eye of the beholder. Tilda Swinton beholder eye faith Anybody knows who lives with animals, they teach you more about what it is to be a good human than most people: patience, goodheartedness, enthusiasm, presence, forgiveness, focus, restfulness, honesty. Tilda Swinton honesty animal people [My work] just develops and develops, and I'm very nicely served by the universe: just as I'm ready to take the conversation further with myself, some other individual pops up, like David McKenzie did, with this idea of making this film [Teknolust], and provides exactly the leap to the next adventure. Tilda Swinton next adventure ideas That whole Deep End experience of finding yourself with the dead body: you know you didn't kill it, but you know if you're found with it, you're gonna be done for it, so you have to get rid of it. And that's a really important nub of Young Adam Joe knows for absolute certain that if someone comes around the corner, that's it. Nobody's ever going to believe what happened. So that has nothing to do with identity or sexuality, but that is a link. I'm just fascinated by it. Tilda Swinton finding-yourself identity believe Alexander Trocchi was an existentialist. He was looking at an alienated artist in the post-war period. It's modern because it applies now as well. Tilda Swinton existentialist artist war Well the truth is, everybody, when they die, leaves a void that cannot be filled. Tilda Swinton void filled truth-is What bothers me is that the cinema - what Fox News calls the "wholesome cinema that our children are supposed to be able to see" - is so violent. I'm not even talking about the content. I'm talking about the way in which it's cut. Tilda Swinton cutting talking children I made The War Zone when I had just given birth to twins, and my post-partum frame was very much on display there. Tilda Swinton birth twins war There's nothing I'm particularly keen to hide about my humanity. Tilda Swinton humanity We also knew [ me and Ewan McGregor] that, on a practical level, if there was going to be that much sex in the film [Young Adam] - which there clearly had to be because sex is the meat and potatoes of the thing - it had to be varied for the audience, because it's important to keep the audience living in it. Tilda Swinton levels important sex I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is planned at all. But one link is with The Deep End, and one link is that I'm making a film later on that revolves around the relationship between an innocent party and a dead body. Tilda Swinton party body links It's wonderful to actually have an opportunity to get real and show how complicated and fascinating sex is. Tilda Swinton real opportunity sex We [ with Ewan McGregor] decided exactly what we would do at every moment, what the texture would be. Tilda Swinton texture moments would-be The only real struggle [in Doctor Strange] was casting spells - learning all these amazing things with fingers, and then remembering what to say at the same time. They would say, 'So you have to put your hands there, not there because the light is going to go [MAKES SOUND] so that kind of masks... but it was all good. Tilda Swinton doctors real struggle Well you know, the comic strip [Doctor Strange]... yeah, was an Asian man, in fact, a very ancient Tibetan man living on the top of a mountain. The film script that I was given wasn't an Asian man, so I wasn't asked to play an Asian man - I was asked to play an ancient Celtic person. Tilda Swinton doctors play men
