No one forgets the presence of the camera, no matter how long it's there. Joshua Oppenheimer More Quotes by Joshua Oppenheimer More Quotes From Joshua Oppenheimer I think it's a great pity in the Anglophone world that we conflate cinema verite and Direct Cinema; they're, in fact, ontological opposites. In Direct Cinema, we create a fictional reality with characters and pretend we're not that. Joshua Oppenheimer greatcinemarealityworld I think Direct Cinema's trying to be insightful by looking at reality in a very close way while, in fact, much more is staged than we like to think. In cinema verite, it's about trying to make something invisible visible - the role of fantasy and imagination in everyday life. Joshua Oppenheimer lookingimaginationlifereality I don't think there's a morally perfect way to do anything in life, but I'm not a filmmaker who tries to hide my mess. Joshua Oppenheimer hidethinklifeway From 2005 to 2010, I was exclusively shooting 'The Act of Killing' and then editing it. Joshua Oppenheimer thenactshootingediting In terms of so-called fly-on-the-wall documentaries, there's a claim that the camera is a transparent window into a pre-existing reality. What really is happening is that the film crew and the subjects are collaborating to simulate a reality in which they pretend the camera is not present. Joshua Oppenheimer pretendcamerarealitywindow Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves. Joshua Oppenheimer performanceyoumatterpeople I first went to Indonesia in 2001 for six months. I was to help a community of plantation workers to make a film documenting and dramatizing the struggle to organize a union in the aftermath of the Suharto dictatorship. Joshua Oppenheimer helpdictatorshipcommunitystruggle To put it crudely, 'The Act of Killing' would blast open the space for the more delicate film, 'The Look of Silence,' to do its work. Joshua Oppenheimer lookspacesilencework I wanted to resist in 'The Look of Silence' making a film that ends with any kind of positive hope I feel in human rights documentaries dealing with human survivors. Joshua Oppenheimer looksilencehopepositive I still receive very regular death threats that make it impossible for me to return to Indonesia. I think I could get in, but I don't think I could get out again. Joshua Oppenheimer thinkmeimpossibledeath
