On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials. Colleen Atwood More Quotes by Colleen Atwood More Quotes From Colleen Atwood If I'm doing something contemporary, for sure I'm very aware of what's going on. Personally, I like fashion trends, but when I'm doing a movie, it doesn't affect what I do particularly at all. I don't relate to it in that way. Colleen Atwood trends fashion way I've always loved movies, art and clothes. Colleen Atwood clothes art Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie. Colleen Atwood clothes challenges people I always carry pictures of my children and grandchildren, which is what makes it all worthwhile. It's great fun that my grandkids get to see the costumes in Alice in Wonderland or a doll with grandma's dress. Colleen Atwood grandma fun children In real life, a lot of people at that level will have their kimonos made especially for them. Colleen Atwood kimonos real people In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today. Colleen Atwood design hero past Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles. Colleen Atwood style class trying I had to work out that it was something that could move, without having everybody in spray painted leotards. Colleen Atwood leotards work-out moving I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration. Colleen Atwood chicago inspiration use Costume design allows you to do a different type of research and create characters, whereas in fashion, you create an image and clothing for the masses. Colleen Atwood you design fashion research Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. Colleen Atwood you makeup hair character The right costume determines the character, helps the actor feel who he is, and serves the story. Colleen Atwood right story feel character I grew up in the age of polyester. When I got to touch real silk, cotton and velvet, the feel of nonsynthetic fabrics blew me away. I know it's important how clothing looks, but it's equally important how it feels on your skin. Colleen Atwood skin feel me age I choose colors I like and will photograph well. I don't do color theory! Colleen Atwood choose will colors color It's true that I'm not cozy. I'm more reserved. Colleen Atwood true more reserved cozy The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me. Colleen Atwood great me together beautiful Some of the kimonos took as long as four to five months to make, with all the layers that go into it. Colleen Atwood make some go long The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired. Colleen Atwood eyes through research today I really don't over-theorize about design. I'd rather feel it than talk it to death. A lot happens as you unroll the design. Colleen Atwood feel you design death The costumes had to serve the choreography. Colleen Atwood serve had choreography costumes
