Once you've got a concept and a sense of themes and what it's about, then you can start to add your plot and sort of Tetris in all of the elements that you want to see, but also attach them to something that has cohesion, like a mold. Shane Black More Quotes by Shane Black More Quotes From Shane Black I have no power, and that's what's so humbling. Shane Black humbling I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Shane Black important trying thinking The spotlight was on me. I pretended it wasn't, but it was, and for every wrong reason. It was all about money, it was all about my supposed competition with Joe Eszterhas over who'd be the highest-paid screenwriter. I didn't care. I just wanted to write stories, try to become a better writer, improve my style, change genres, even try new things. I didn't like action so much any more. Shane Black competition style writing What I've learned being a writer is to just basically not buckle - not be belligerent, not be angry, not throw fits. Though there are times where you have to stand up and yell. If I've got to throw a chair, I'll throw a chair. There was a meekness about me when I started, and I think the meekness has sort of evaporated. I hope that it's left behind a more passionate person, not a meaner person. So I guess that's what I've learned. Shane Black passionate fit thinking I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession. Shane Black profession vain men Every director should take an acting class. At least one. You know, you panic with actors. It's like, "Okay, this is back in college, I know how to talk to these guys. I know their vocabulary, and I get what they're saying back to me." So basically to learn the vernacular of acting, that's very important. Shane Black guy important college Going to UCLA, as far as I'm concerned, afforded me two things. One was the advantage of meeting friends and getting to know a group of guys I hung out with, was chummy with. All of us eventually had success with film. Making films, cutting our own little movies together, 3 in the morning going out and shooting stuff, finding gels that people had thrown away, making our own lights. It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me. Shane Black cutting morning people People would say, "Well yeah, if I wrote action films, if I wrote the trash that you write, I could make millions too. But I want to write my real movie about these Guatemalan immigrants, and how they hid under a truck for 300 miles." And that's fine. I'd love to make that film too, but to dismiss everything I did just because it's action seems wrong. Shane Black real writing people I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way." Shane Black giving-up important thinking You can win as long as you chose your battles. You can win more arguments then you might think as a writer, even though you legally have no recourse, and your script can get muddied and altered in any way possible. You can use reason, logic, and passion to argue persuasively for a case in your favor. So what I've learned is to just basically not buckle - not be belligerent, not be angry, not throw fits, but just not buckle. Shane Black passion winning thinking When you are making a lot of money people forget you are trying to be creative and they picture you laughing all the way to the bank ... especially with an action script, automatically it gets boo-hooed as being worthless. It was very difficult to hear that sort of thing and I lost a good many friends over money issues because they didn't have money or their scripts weren't selling and mine were. Shane Black creative laughing people I think it's an obligation to make a movie full, so you have to see it twice to get all the moments. Shane Black obligation moments thinking The only way you can stay on top is to remember to touch bottom and get back to basics. Shane Black basics remember way Sometimes I'll have a scene that strikes me, I just feel like writing a scene, a mini-story that seems like it might lead somewhere. But that is such a tentative, fishing-hook way to go about it that these days I've found it's easier to kind of at least have your concept and start attaching things to a skeleton. So I try to find the armature, the kind of backbone of it first that you can start to hang those scenes on. Shane Black skeletons fishing writing No one cares about your ideas. They're not going to come knocking on your door looking for ideas. They're going to want some concrete evidence that you have the potential to serve them or give them value for money. So that's my advice: write your spec scripts, no matter what. They're essential as a calling card, even if they don't get produced. Shane Black value looking you money Estimation, assessment, looking back, retrospecting things - those are intellectual concepts, and they're always so subject to shifts in the wind. Shane Black looking back looking-back wind One of my favorite L.A. movies is 'Ed Wood,' and it's about how Bela Lugosi went from being this movie star personality to living in a little bungalow with his cats in the valley where, if you walked by, you'd have no idea. He'd come out and get his paper, and you'd go, 'That guy looks familiar.' Shane Black cats movies you personality I try to make all the action in my movies subjective: to give a sense of what it would feel like to actually be a part of it. Shane Black movies feel try action If someone fires a gun in a movie, it should always be a big deal. I don't like movies where someone shoots at someone else but they just run away and manage to dodge the bullet. Or people are all firing at each other continuously for 10 minutes. Shane Black movies someone gun people
