Our interaction with our friends, for instance, is in large part an interaction with representations in our own head of the people before us. That's why a friend can surprise or disappoint us. Zia Haider Rahman More Quotes by Zia Haider Rahman More Quotes From Zia Haider Rahman I am at my happiest when I'm problem solving and a large part of writing is for me a lovely labor in problem solving. Every act of discovery in writing involves a process of figuring out why I'm not seeing what I need to see. Niggling feelings, discomforts, a sense that you've forgotten or overlooked something, a sudden curiosity about what if here? - these are priceless. They are the bases of problems and lead the way. Zia Haider Rahman what-if feelings writing The mathematics is the odd one, odd because I'm not sure how to measure its effect. It is so fundamental to my outlook on everything and yet I'm not even sure how. It must be because in my formative years it was everything to me, the single place of beauty in my life, and of breathtaking beauty at that. I still believe that pure mathematics is the most creative thing that humanity does, though I am no longer a part of it. Zia Haider Rahman creative humanity believe The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author. Zia Haider Rahman tragedy writing book The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. Zia Haider Rahman writing world Writing is indeed essential to me. I have been writing for a long time but not for publication. I'm sure there are many, many people who do the same. The rewards of writing are in the process and not the product - not just for me but for others I have met. Zia Haider Rahman writing long people There was a period of a few months, however, when I had a dreadful physical pain. I had just started writing a particular section of the novel and was initially worried that it would affect my work. I was woken by awful nightmares; I saw several doctors, tests were performed, nothing came of them, and the medics were mystified.It was two days after I finished writing the section that the penny dropped. The pain had suddenly disappeared and so too had the nightmares. I'd got things muddled. The pain and the nightmares were both psychosomatic. Zia Haider Rahman nightmare pain writing I had an indefatigable curiosity about everything. But why should my fate have depended upon that? Why does the curiosity of a child born into the lowest classes have to overcome everything put in his or her way to mute that curiosity, when a child born to parents with access to the advantages of life will have his meager curiosity kindled and nurtured? The unfairness is horrifying when it is properly understood as an unfairness meted out on children, on infants, on babies. Zia Haider Rahman fate baby children Until I reached my late teens, there was not enough money for luxuries - a holiday, a car, or a computer. I learned how to program a computer, in fact, by reading a book. I used to write down programs in a notebook and a few years later when we were able to buy a computer, I typed in my programs to see if they worked. They did. I was lucky. Zia Haider Rahman notebook reading writing I had a tough childhood, yes. I was born in rural Bangladesh to parents who had had no education beyond high school. We moved to the UK where I grew up in poverty, in some of the worst conditions in a developed economy, before moving to the projects - heaven - and I went to unremarkable schools before going to university. My father was a bus conductor first and then a waiter, and my mother a seamstress. Zia Haider Rahman mother father moving A poison can hardly be called safe if for some reason specific to me it's ineffective against, say, my body. But the power of story on the human mind is such that anecdote is often more persuasive than numbers. That's why news stories often concretize the impact of a change in government policy by following the story of one person. Zia Haider Rahman persuasive reason mind One problem I have with talking about myself in the context of class divisiveness is that I can be - and indeed have been - used by others to demonstrate its absence and that it's only a matter of hard work to move upward socially. After all, how could I complain about anything, if the retort is: "But look where you got to? It can't be all that bad." But this is nonsense as an argument quite aside from its empirical absurdity because no single case can invalidate a statistical claim. Zia Haider Rahman hard-work complaining moving
