Photographs have a relevance for things that cannot be said. Olafur Eliasson More Quotes by Olafur Eliasson More Quotes From Olafur Eliasson I always try to make work that activates the viewer to be a co-producer of our shared reality. Olafur Eliasson producers trying reality Having an experience is taking part in the world. Taking part in the world is really about sharing responsibility. Olafur Eliasson motivation inspiration life Over the years, in making art, I have constantly explored issues dealing with space, time, light, and society. I am particularly interested in how the light of a space determines how we see that space and similarly, in how light and color are actually phenomena within us, within our own eyes. Olafur Eliasson light eye art My goal is to formulate a new color theory based on the full spectrum of visible light. Olafur Eliasson color light goal The viewer brings something individual to the experience of any artwork. Olafur Eliasson viewers artwork individual Light has an evident, functional and aesthetic impact on our lives. Olafur Eliasson aesthetic impact light I want to expose and evaluate the fact that the seeing and sensing process is a system that should not be taken for granted as natural - it's a cultivated means of reality production that, as a system, can be negotiated and changed. Olafur Eliasson taken mean reality Artists are valuable to public discussion: They show the correlation between doing and thinking. Olafur Eliasson valuable artist thinking Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving. Olafur Eliasson museums moving thinking For the sake of sanity, the brain and the eyes keep things simple. But take away the sense of sight and suddenly things are not so simple. Olafur Eliasson eye simple sight Ive walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesnt necessarily tell you how big it is. It doesnt really tell you what youre looking at. The moment you start to move the mountain starts to move. Olafur Eliasson iceland views moving I see the artist as a participant, a co-producer of reality. I do not see the artist as a person who sits at a distance and evaluates. Olafur Eliasson distance artist reality I was interested in how we engage the world. How do we use our skin as our eyes? If you read a cityscape or a landscape with just your mind, and not your body, it becomes like a picture or representation, not something you really engage with. Olafur Eliasson skins eye mind I see the artist as a participant, a co-producer of reality. Olafur Eliasson producers artist reality I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object. Olafur Eliasson landscape cameras eye I do not think making art alone makes it any better than making it with a team of people. Olafur Eliasson team art thinking I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one. Olafur Eliasson artist cities thinking I don't think you need to be so result-oriented when you're trying to define the success of an art work. I think we can allow some unpredictability. Olafur Eliasson trying art thinking By bringing Little Sun to Tate Modern and the London Olympics, I hope to realise an art project for those who typically have no access to global events of this scale. Olafur Eliasson london-olympics events art I believe that access to electricity and light can radically improve people‚ lives. Olafur Eliasson light believe people
