Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream. Joan Didion More Quotes by Joan Didion More Quotes From Joan Didion Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it. Joan Didion block knowing writing I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it. Joan Didion unseen marine sea The freeway experience ... is the only secular communion Los Angeles has. Mere driving on the freeway is in no way the same as participating in it. Anyone can "drive" on the freeway, and many people with no vocation for it do, hesitating here and resisting there, losing the rhythm of the lane change, thinking about where they came from and where they are going. Actual participation requires total surrender, a concentration so intense as to seem a kind of narcosis, a rapture-of-the-freeway. The mind goes clean. The rhythm takes over. Joan Didion mind people thinking Hemingway was really early. I probably started reading him when I was just eleven or twelve. There was just something magnetic to me in the arrangement of those sentences. Because they were so simple - or rather they appeared to be so simple, but they weren't. Joan Didion twelve reading simple I don't think anybody feels like they're a good parent. Or if people think they're good parents, they ought to think again. Joan Didion parent people thinking I know what "nothing" means, and keep on playing. Joan Didion knows mean Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing. Joan Didion texture painting novel I don't lead a writer's life. And I think that can be a source of suspicion and irritation to some people. Joan Didion irritation people thinking It Was Once Suggested to Me that, as an Antidote to Crying, I Put My Head in a Paper Bag. Joan Didion bags cry paper One of the things that happens to people in grief is they secretly think they're crazy, because they realize they are thinking things that don't make sense. Joan Didion crazy grief thinking A young woman with long hair and a short white halter dress walks through the casino at the Riviera in Las Vegas at one in the morning. It was precisely this moment that made Play It As It Lays begin to tell itself to me. Joan Didion vegas gambling morning We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images. Joan Didion thin-air narrative lines You have to make sure you have the characters you want. That's really the most complicated part. Joan Didion complicated want character Aging and its evidence remain lifes most predictable events, yet they also remain matters we prefer to leave unmentioned, unexplored. Joan Didion aging events matter I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing. Joan Didion rereading victory mean I have always wanted a swimming pool and never had one. Joan Didion swimming-pool pool swimming Tuesday, September 11, 2001, dawned temperate and nearly cloudless in the eastern United States. Joan Didion september-11 united-states tuesday In theory momentos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here. How inadequately I appreciated the moment when it was here is something else I could never afford to see. Joan Didion appreciated moments facts As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs...The way I write is who I am, or have become. Joan Didion who-i-am writing children It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people we marry and the people we love. In a nation which increasingly appears to prize social virtues, Howard Hughes remains not merely antisocial but grandly, brilliantly, surpassingly, asocial. He is the last private man, the dream we no longer admit. Joan Didion dream love men