Record labels have enjoyed a 100-year monopoly of selling plastic and now they're up against a different format.

Ian MacKaye

Categorized in : Years Different Records

My point of view is, I'm just a person, and there are times when I look at other people and think, 'My God, they spend so much time thinking about things that seem so absurd.' But I'm sure people must think the same thing about me.

views people thinking

I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.

opportunity ideas thinking

Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.

showing-up making-money labels

1991 for some people was a significant year in terms of punk rock... by Ian MacKaye

1991 for some people was a significant year in terms of punk rock. It was the year "punk broke".

broke punk people

You can hear a real shift. You listen to the late 80s recordings, you'll hear us engaging with the audience, dealing with the issues surrounding punk shows at the time. Back then, people thought you had to be a skinhead and beat the crap out of everybody when you went to a punk show. Come the early 90s, when you had this so-called grunge stuff and when videos became so dominant, you had this totally huge shift in the culture of shows.

real culture people

I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.

records book people

If people want new music then they are going to have to figure out a way to be patrons of the arts. And they will.

patron people art

I'm all for file sharing. That's great - as long as people are prepared for the significant consequences. One is that music will become completely couched in advertising. That's already happened. And another is that people should be prepared to have fun with the past because the only music that can possibly be free is the music that's from the past. It costs money to make music. And if people are prepared to only have the past to listen to, then let it be free.

I always appreciate when people save, and more importantly, share. As we speak, there are people in this world - mostly men - who have giant collections of recordings that no one will ever hear. And the value of that collection is almost defined by the fact that nobody else can hear it.

appreciate men people

I'd much rather talk to a 30-year old that survived rough times in their lives [practicing Straight Edge] rather than someone that was harmed by a culture of violence.

violence culture years

I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.

fighting talking men

The fact that the U.S. government spends millions of dollars to send murderous robot planes into other people's land to murder them, into other countries, that's a problem. That's what people should be concerned about. The fact that other people don't understand me is not a problem. I keep things in perspective.

government land country

I think sometimes my humor is extremely dry, and a lot of times I would say things that I thought were very funny but... I have a reputation of - people think of me as a very fundamentalist, humorless fellow.

dry people thinking

I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a different kind of perception of it.

mainstream-society distance years

Minor Threat was an important band, believe me that it was important it in my life, but it belongs to an era that no longer exists. I'm not nostalgic. I think music today is much more important, because something can be done about it.

important believe thinking

Let's say for instance people say, "He's a really totalitarian, strict guy, he's hard to work with or whatever." I don't think it's true, but people's perception of me leads that direction, like I'm a fundamentalist person. I end up having to spend extra time saying, "I'm not a fundamentalist." I have other stuff to do.

extra-time people thinking

Yeah, if someone's selling downloads and collecting money for our songs I would be unhappy about that but if they're trading it I don't mind, obviously if I make a thousand records or CDs or whatever, I like to sell a thousand.

People will say "You must miss playing to a thousand people." But I don't. I might miss playing. That's what I would miss, but I don't miss it, because I am playing.

missing might people

The only thing that drives music is the people who are making it. by Ian MacKaye

The only thing that drives music is the people who are making it.

music-is people

I jump from one thing to the next but try and strike a balance. But it's not nostalgic in the sense of 'those were the good old days and now we're not there'. I don't think like that. Not my way.

balance trying thinking