Sensitivity and money are like parallel lines. They don't meet. Ang Lee More Quotes by Ang Lee More Quotes From Ang Lee Even the favorite reviews, the audience response is the movie is too slow, deliberately slow. But for the Chinese audience, the biggest complaint is it happens too quick. I think the historical background that build into our genes is different. American people has never been occupied. The deep sadness and sentimentality, the cultural background that relates to melodrama that we relate to and grow up with, the propaganda, I didn't imagine the difference is so big. It's a very interesting cultural phenomenon. Ang Lee growing-upsadnessthinking To me, Ennis stands for the conservative side of America. He's the biggest homophobe in the whole movie - culturally and psychologically - but by the time he admits his feelings, it's too late. Ang Lee feelingstoo-lateamerica When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that. Ang Lee japanwaramerica Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don't think I was ready to do a big production like this. Ang Lee stormicethinking I have two sons in America, and all they care about in Chinese culture is Jackie Chan and Jet Li. Ang Lee twoamericason When I have a full schedule like that, I don't see myself sitting there for a couple of months, doing the research, going through a painful process, it's just not my thing anymore. Ang Lee schedulescouplesitting Beautifully-acted and precisely observed, ILO ILO is an amazing debut, full of heart and intelligence. Ang Lee debutheart When there is a strong woman character in a story - that always grabs me Ang Lee strong-womenstrongcharacter For a filmmaker, it's a rare chance to do a personal film on a big canvas. Ang Lee canvasfilmchance There's a level of sophistication of filmmaking that's mind-boggling. Anything you need for your movie, there's an establishment that can make it happen really fast. Ang Lee moviemindneeds It was nerve-wracking [to unleash 'Life of Pi' to the world]. The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated. Ang Lee friendlypeoplethinking When you talk about God, the first thing that comes along is not love, it's fear. You have to fear, and be in awe. You have to be scared. Any religion, it's like first thing. Ang Lee awescaredfirsts I think great romance needs great obstacles and textures. Ang Lee romanceneedsthinking I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting. Ang Lee mediaadventurethinking Mostly it's like, I get inspired by something and I want to learn that part of filmmaking, I want to delve into that kind of depth. And leading, also, a lot of people. A lot of people, for two years of their life they follow me, and they believe what I believe in. So that's some responsibility and I'd like to make it worth the effort. Ang Lee responsibilitybelieveyears On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy. Ang Lee givingorderpeople So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide. Ang Lee popspersonsattention I'm not a master of films. I'm rather a slave. Ang Lee slavefilmmasters When I started out, nobody gave me scripts, so I had to write... Ang Lee scriptswriting I think a lot of people do big movies not because they are talented artists but because they can function in the circumstances. Ang Lee movieartistthinking
