'Swallow Me Whole' is still the creation that's closest to my heart. Nate Powell More Quotes by Nate Powell More Quotes From Nate Powell The rules have changed as information and technology evolve, but it's essential that people stay in the streets, stay visible in their communities, on the news, on the Internet, and in this crucial public discussion. There are a million people just like you (or me), sharing the same doubts, fears, and insecurities that keep us from speaking out. Finding each other in our neighborhoods, online, in the streets - this is what keeps us from believing we're alone, from giving in to hopelessness. Nate Powell technology believe people Violence from protesters themselves is extremely rare, but has been made into a talking point by those who stand to benefit from breaking the perceived legitimacy of organized protest and resistance. Organized, disciplined nonviolent resistance is alive and well, and we see it all around us in cities across the country. Nate Powell cities talking country A decade passed between King's assassination and my birth, but the older I get, the more acutely aware I become that 10 years is nothing. Nate Powell birth kings years I was born in the late '70s and grew up in the deep South, and I was very much still of an era where racism was a casual part of white people's public and private lives, though it had been pushed more into its own little echo chamber by then. As a five year old, I saw a fully costumed Klan circle, complete with burning cross, on a town square in rural Alabama at high noon. Nate Powell echoes squares years I also think it's crucial to convey that the [Black] Movement largely succeeded because of the unwavering dedication of young people willing to risk their comfort, their safety, their lives. Nate Powell dedication people thinking My four-year-old daughter regularly requests reading Book One [the March] at bedtime; the methods of reading, delivering, and processing the book's content vary according to a kid's age and developmental level, but she's deeply affected by the story, asking follow-up questions for days. Nate Powell daughter reading book People of every age group have connected strongly with the story [the March], identifying with different components of it. A sense of fairness and recognition of injustice seem to be hardwired into kids - I know it was for me, even as an elementary school kid - and I kept that in mind throughout the creation process. Nate Powell kids people school One of our priorities when doing "March" is to sort of undo what we feel is the disservice done by what we call the Nine Words Problem. Which is that most American kids, whatever they do learn about the movement, especially in school, is usually limited to Rosa Parks, Martin Luther King, "I Have a Dream." And so there's sort of a layer of unreality; there's not a sense of continuity. Nate Powell kings dream school I think being able to identify with young people and...their capacity to change the world and shake things up. I think that's the greatest strength. Nate Powell people world thinking I know "accessibility" is a term that's kind of thrown around wantonly today, especially with talking about visual media. But I think that the strength of comics [is how they] really allow you to transcend those last barriers between a reader absorbing the information of an experience, and a reader being able to project themselves into the [experience of the] people about whom they're reading. Nate Powell media reading thinking As a visual storyteller, a lot is learning what to include so you're not being redundant between images and text. Nate Powell text being you learning We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing. Nate Powell something accept information leaving My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work. Nate Powell politics power work justice I did grow up in a military family but lacked the perspective to grasp the cognitive dissonance carried by most people who serve in the armed forces or the circumstances that push lots of folks into the military. I don't blame G.I. Joe or Rambo for that atmosphere, but they certainly reflected the final stage of a two generation cultural myth. Nate Powell blame perspective family people Doing representations of real people is not my strongpoint as a visual artist, and I know that. Nate Powell doing know artist people There's nothing that compares with the time spent all by myself on a creation that is all my own. I still think of my solo work as my 'home planet' in comics, though I've learned to listen much more to editors and trusted friends for feedback. Nate Powell myself work home time The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general. Nate Powell point because urban storytelling I love trying to forge a contract between creator and audience in which we are able to meet halfway, each injecting a part of our own experiences into a story that's being told. Nate Powell meet own story love My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters. Nate Powell boy place style experience There are constant challenges in the drawing process, especially in a period piece, and therein lay the fun. Nate Powell drawing process challenges fun
