The history of American art, in a way, begins with Jackson Pollock and his big paintings. This theme of bigness - all painters and sculptors have dealt with it ever since. Michael Heizer More Quotes by Michael Heizer More Quotes From Michael Heizer Earth is the material with the most potential because it is the original source material. Michael Heizer materials source earth I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone. Michael Heizer space commitment thinking They are works of art that can be considered works of art but don't have to be in the collection of the Metropolitan Museum. Michael Heizer metropolitan museums art A strong work of art really leaves people speechless. They feel a little angry because they don't understand it. Michael Heizer strong people art The type of work I like is pure and simple and profound. Michael Heizer type simple profound Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural. Michael Heizer sculpture imagine likes I’m self-entertaining. My dialogue is with myself. Michael Heizer entertaining dialogue self Landscape to me is a planar thing, just a view. Environment is everything down to the ecosystem. Big difference. Michael Heizer ecosystems differences views I make static art, not dynamic art. That's what I do. Michael Heizer static art This theme of bigness — all painters and sculptors have dealt with it ever since. Michael Heizer sculptors painter theme I wasn't political enough to write articles about myself or go to cocktail parties, meaning that not only has my art been pirated and my intellectual property rights stolen, but my work has been misrepresented. Michael Heizer rights writing art I have looked at so many photographs, I can not see them anymore. Michael Heizer can-not i-can photograph I wasn't raised to be into promoting myself. Michael Heizer promoting raised The trouble is, once you say something about a source, then you've pegged it down, and so now I'm reluctant to say anything. If I say I developed 50 different shapes from Mississippian tumuli, that doesn't mean they're copies of tumuli - I'm not ripping off those shapes. Michael Heizer copying say-anything mean I was taken out of school by my dad when I was 11 and lived in Mexico City, then later in Paris. I went with him to excavate in Bolivia and Peru. I never finished high school. I was a straight F student anyway. My father admitted to me later that he'd thought I would come to no good. Michael Heizer city good me father Artwork is not like a commercial business; there is no such thing as a schedule for art. You can't hurry art. Michael Heizer like you business art The size thing is not some gimmick or attention-getting trick but a genuine undercurrent of the work. Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural. Michael Heizer buildings like genuine work I come from an academic background. I wasn't raised to be into promoting myself. Michael Heizer background come myself academic I'm not a dogmatic, purist psychopath. There's an unfair image of me - mean, crazy, hostile. I'm really a very gentle person. Michael Heizer person me unfair crazy I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe. Michael Heizer myself work world art
