The impact of any particular writer on your own work is hard to discern. Daniel Alarcon More Quotes by Daniel Alarcon More Quotes From Daniel Alarcon I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru. Daniel Alarcon radiocitiesfirsts I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English. Daniel Alarcon latinwritingthinking How emigration is actually lived - well, this depends on many factors: education, economic station, language, where one lands, and what support network is in place at the site of arrival. Daniel Alarcon emigrationsupportland Eduardo Halfon is a brilliant storyteller, whose gifts are displayed on every page of this beautiful, daring, and deeply humane book. Daniel Alarcon pagesbeautifulbook I'm a believer in the benefits of translation. It's a necessity and a privilege - it would be awful to be limited to reading authors who's work was composed in the languages I happen to have learned. Daniel Alarcon benefitsreadingwould-be Meaning can be usually be approximated, but often by sacrificing style. When I review my translations into Spanish, that's what I'm most concerned with, reading the sentences aloud in Spanish to make sure they sound the way I want them to. To be honest, I much prefer being translated into Greek or Japanese; in those cases, you have no way of being involved, and no pressure. Daniel Alarcon sacrificegreekreading A lot of attention has been paid in Latin America to the new generation of nonfiction writers, authors like Julio Villanueva Chang, Diego Osorno, Cristóbal Peña, Gabriela Wiener, Leila Guerriero, Cristian Alarcón, among others. These are writers doing important, groundbreaking work. So the talent is there, as is the habit of radio listenership, and what we propose to do is unite the two. We want to have these immensely gifted journalists - men and women who've already revitalized the long-form narrative - we want them to tell their stories in sound. Daniel Alarcon latinmentwo There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside. Daniel Alarcon radiolatinamerica I guess in my own life I don't really think much about manliness too much. I feel like a lot of men that I know don't sit around thinking, "How am I supposed to be a man?" I don't think that I have to prove anything. Daniel Alarcon too-muchmenthinking Generally, I find that when you're writing and having fun with the writing, that energy and dynamism is going to come out in the text one way or another. Daniel Alarcon writingfunway What I'm most interested in is not necessarily the wound, but the scar. Not how someone is wounded, but what the scar does later. Daniel Alarcon scarwoundeddoe Ask any human being alive if they're the same person they were seven years ago and they're going to tell you they aren't. Daniel Alarcon sevenaliveyears I have a love/hate relationship with the internet. It's obviously the central tool of how I work, and how I keep in touch with all the writers and then producers that I'm collaborating with. Skype saves my life, you know. Daniel Alarcon skypehatetools A novel is like an animal you have to hunt down and kill. If you let it sit for two days, it's got a two-day head start. So, if I just look at it every day, I'm so much better off. Daniel Alarcon animaltwolooks Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools. Daniel Alarcon powerfulsleepmorning Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one. Daniel Alarcon youbikeridinguniverse When I was younger, I was able to write with music playing in the background, but these days, I can't. I find it distracting. Even when the music is just instrumental or has lyrics in a language I don't understand, the clash between the voices in my head and the song can be very disorienting. Daniel Alarcon understandmusiclanguagesong
