The stories I most love are about the benefits of being blown off course. Tilda Swinton More Quotes by Tilda Swinton More Quotes From Tilda Swinton If I'd been asked to play an Asian man [in Doctor Strange] I would've shown them Benedict Wong. Tilda Swinton doctors play men This film [Teknolust] in particular, showing the way in which having a sexual dialogue with someone can be something developing and changeable and maybe uncomfortable and complicated. Just complicated and human, no more and no less. Tilda Swinton film complicated way The great news is that that sort of group of people and that sort of sensibility is beginning to become more active again. And I think partly it just has to do with the time. It has to do with the culture of resistance. The necessity is for us to pull together and to speak up and to make work and be visible. Tilda Swinton together people thinking One of the things about Derek Jarman was that he was a painter who worked alone when he painted, but I firmly believe that one of the reasons he made films was for the company. He made filmmakers of all of us, that's the truth. I don't mean he necessarily made directors, but he made us filmmakers. Because we lived in a state of mutual responsibility for what we made. Tilda Swinton responsibility mean believe A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again. Tilda Swinton cinema self want We talked [with Scott Derrickson] about making it kind of muscular and practical. Yeah it's a fantasy but what's the difference between fantasy and reality really? Tilda Swinton fantasy differences reality We're filling a big universe [in Doctor Strange], and so the look and the sort of plasticity of us is really important to us when we're striking poses here. It's very important, it's really great. Tilda Swinton doctors important looks The last time I did anything like this [special powers] was with the Narnia film with two swords, the same but different. Tilda Swinton different special two One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios. Tilda Swinton thanks different art I'm just really old [in Doctor Strange]. Just really, really old. There is I suppose a sort of theme tune which I'm really interested in. Tilda Swinton doctors strange tunes The story, it's really important to The Ancient One that Doctor Strange does cut it because The Ancient One needs a successor, or certainly needs - you could say - a son. So The Ancient One is really invested in Doctor Strange, it's a very kind of primal relationship. Tilda Swinton doctors cutting son To be honest the work that a producer does is work that I've done for most of my working life. It's work that I started to do, for example, when I worked with Sally Potter on Orlando. We developed it together over five years. Tilda Swinton example together years I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since. Tilda Swinton stage film doe The whole thing of working in collaboration with filmmakers is the thing that I love the most, and possibly the thing I do the best. Tilda Swinton filmmaker collaboration whole I've only ever gone into studio films with people I really like. Tilda Swinton film gone people I would say, and this sounds like a rather immodest thing to say, but the truth is it's probably the most amazing thing of all, it's pretty much exactly what I thought we were going to make, what I hoped we'd make. Tilda Swinton most-amazing truth-is sound Eleven years is a great length of time to prepare a movie, it would be wonderful to have 11 years of funded preparation. Tilda Swinton preparation would-be years I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste. Tilda Swinton encouragement believe thinking I am the only living person in the English speaking world who didn't have the Narnia books as a child. Tilda Swinton book children world The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it. Tilda Swinton collaboration drug important
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