The thinking of John Cage derived from Duchamp and Dada. I was not interested in that. Sol LeWitt More Quotes by Sol LeWitt More Quotes From Sol LeWitt In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite; that is, they were complete using all possible variations. This kept them simple. Sol LeWitt color squares simple Irrational judgements lead to new experience. Sol LeWitt irrational new-experiences judgement Banal ideas cannot be rescued by beautiful execution. Sol LeWitt execution beautiful ideas Artists of many diverse types began using simple forms to their own ends. Sol LeWitt artist ends simple I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live. Sol LeWitt artist order believe An architect doesn't go off with a shovel and dig his foundation and lay every brick. He's still an artist. Sol LeWitt bricks foundation artist I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do. Sol LeWitt saving art thinking The artist’s aim is not to instruct the viewer, but to give information, whether the viewer understands the information is incidental to the artist. Sol LeWitt information artist giving Conceptual art is only good if the idea is good. Sol LeWitt ifs ideas art I was not interested in irony; I wanted to emphasize the primacy of the idea in making art Sol LeWitt irony ideas art Formal art is essentially rational. Sol LeWitt rational formal art The artist is seen like a producer of commodities, like a factory that turns out refrigerators. Sol LeWitt refrigerators commodity artist The narrative of serial art works more like music than like literature. Sol LeWitt narrative literature art The artist is seen like a producer of commodities, like a factory that turns our refrigerators. Sol LeWitt producer seen like artist I became interested in making books, starting about 1965, when I did the Serial Project #1, deciding that I needed a small book to show how the work could be understood and how the system worked. Sol LeWitt project small work book
