There was a time when fame meant that you were either someone who is really gifted in your field or you were making an impact or you are famous because you were a really horrible person, you know? But now, you can become famous by eating a frog. It's just not the same thing.

Debbie Allen

Categorized in : Impact Frogs Horrible Person

Failure: Is it a limitation? Bad timing? It's a lot of things. It's something you can't be afraid of, because you'll stop growing. The next step beyond failure could be your biggest success in life.

Debbie Allen

failure success inspirational

You have to continue to believe in yourself, know your value and continue to work on honing your skills. I was rejected by everyone but here I sit. So you have to stay in the game, you can't just fall apart. Hopefully those challenges will make you stronger, it did for me.

Debbie Allen

challenges believe fall

In places in the world where we don't speak the same language, or even understand that we pray to the same God, we dance to the same beat, that is the ONE.

Debbie Allen

language praying world

But out of limitations comes creativity.

Debbie Allen

limitation creativity

Be true. Be beautiful. Be free. In the midst of segregation and racism Mamma raised us to be independent and free. We saw ourselves as citizens of the world, not of a block.

Debbie Allen

independent block beautiful

I'm driven by passion. I mean, I am tired right now. I work to a point of abandon. I am fueled by my understanding of the need for self-expression that exists for young people.

Debbie Allen

tired passion mean

If you just change one person's life, you feel like you've done something. But if you can change a whole lot of them and get them looking at themselves differently, it's amazing.

Debbie Allen

like-you done feels

My mother Vivian Ayers always instilled within her children that our opinions, our thoughts and our ideas about what was possible was important. My mother made me feel that I was important as a thinker at four-years-old. And I instill that within my students everyday.

Debbie Allen

everyday mother children

I'm always moving forward.

Debbie Allen

always-moving moving-forward moving

I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look.

Debbie Allen

cameras design looks

The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that.

Debbie Allen

clothes body today

I think a good director casts a film so that the actors bring a lot to the table.

Debbie Allen

actors directors thinking

I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it.

Debbie Allen

real use world

There are so many famous people now that are not really gifted or talented at doing anything other than getting made up, putting on tight dresses, acting badly, getting married. I mean, what the hell? I don't know where we are going with this here in America. And we are setting a tone for the world, because everyone looks at what we do.

Debbie Allen

mean america people

Fame is fleeting, honey. Fame is fleeting and it changes.

Debbie Allen

fleeting fame honey

It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage.

Debbie Allen

men children thinking

You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?

Debbie Allen

pages acting talking

It's kind of dangerous to cut in the camera, but that's the only way I know how to direct.

Debbie Allen

cameras cutting way

Time management is a big part of the director's job.

Debbie Allen

time-management jobs directors

I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again?

Debbie Allen

cameras looks needs