Things don't go away just because you choose to forget them. Teju Cole More Quotes by Teju Cole More Quotes From Teju Cole Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing. Teju Cole writingbeautifulmoving It's an Obama book, certainly. I was delighted, and astonished, to hear recently that he was reading it. It's a book about a new kind of American reality, one that takes diversity for granted. It doesn't celebrate diversity, actually, it just says: this is how we live now. Teju Cole readingbookreality You don't bring in a gay character as a way of commenting on gay issues. You have one there because he's real, and that's his life, no less so than your life is yours. Teju Cole gayrealcharacter I'm not hopeful about America, and I'm not hopeful about the world, no. Life goes on and, for those of us who are lucky, there's a great deal to enjoy in it. But will things get better for most people? I don't know. I don't see the evidence. Teju Cole hopefulamericapeople Not explicitly, no. Compared to this enormous, relentless evolutionary activity in the built environment, writing is small potatoes. Teju Cole potatoesenvironmentwriting So, for a book set in 2006, Open City evades certain markers, while it embraces certain others. Julius doesn't use a smartphone, and he doesn't discuss contemporary US politics in any fine detail. Teju Cole smartphonescitiesbook My own literary interest is more about excavating the past, or sensing the past inside the present. This requires all kinds of exclusions and sleights of hand. There's an admittedly antiquarian flavor to it, even though there's enough of the present included to lull the reader. Teju Cole flavorhandspast The creative part of oneself finds its way out. In this case, I got interested particularly in the medium of Twitter and looked for ways to use it creatively. Teju Cole creativeuseway Being Nigerian is a strong part of my identity. Being American is a strong part of my identity. And there are important parts of who I am that really have nothing to do with my national connection. Teju Cole who-i-amimportantstrong If you see a theme that you might want to take a photo of, you sort of stand there for an hour waiting for it to resolve, waiting for the geometry of a theme to be exactly what you want them to be. That was my process to get photos. Teju Cole waitingwantmight I often say I've spent more time with photography than I have with literature just in terms of hours. Teju Cole hoursphotographyliterature Note-taking is important to me: a week's worth of reading notes (or "thoughts I had in the shower" notes) is cumulatively more interesting than anything I might be able to come up with on a single given day. Teju Cole importantreadinginteresting In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness. Teju Cole meanbookart You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation. Teju Cole preparationwritinglong Each time I caught sight of geese swooping in formation across the sky, I wondered how our life below might look from their perspective, and imagined that, were they ever to indulge in such speculation, the high-rises might seem to them like firs massed in a grove. Teju Cole indulge-insightsky The banality of evil transmutes into the banality of sentimentality. The world is nothing but a problem to be solved by enthusiasm. Teju Cole enthusiasmevilworld There is an expectation that we can talk about sins but no one must be identified as a sinner. Teju Cole sinnersinexpectations I schooled in the Boston area. Teju Cole schooledbostonareas The site was a palimpsest, as was all the city, written, erased, rewritten. Teju Cole palimpsestsitecities One of the difficulties of photography is that it is much better at being explicit than at being reticent. Teju Cole difficultyexplicitphotography
