To hear complaints is wearisome alike to the wretched and the happy. Samuel Johnson More Quotes by Samuel Johnson More Quotes From Samuel Johnson It is not difficult to conceive, however, that for many reasons a man writes much better than he lives. For without entering into refined speculations, it may be shown much easier to design than to perform. A man proposes his schemes of life in a state of abstraction and disengagement, exempt from the enticements of hope, the solicitations of affection, the importunities of appetite, or the depressions of fear. Samuel Johnson designwritingmen It is the condition of our present state to see more than we can attain; the exactest vigilance and caution can never maintain a single day of unmingled innocence. Samuel Johnson perfectionwritingideas It is much easier not to write like a man than to write like a woman. Samuel Johnson easierwritingmen Consultation and compliance can conduce little to the perfection of any literary performance; for whoever is so doubtful of his own abilities as to encourage the remarks of others, will find himself every day embarrassed with new difficulties, and will harass his mind, in vain, with the hopeless labour of uniting heterogeneous ideas, digesting independent hints, and collecting into one point the several rays of borrowed light, emitted often with contrary directions. Samuel Johnson independentlightwriting I look upon this as I did upon the Dictionary: it is all work, and my inducement to it is not love or desire of fame, but the want of money, which is the only motive to writing that I know of. Samuel Johnson wantdesirewriting A writer who obtains his full purpose loses himself in his own lustre. Samuel Johnson losespurposewriting He who writes much will not easily escape a manner, such a recurrence of particular modes as may be easily noted. Samuel Johnson recurrencewritingmay Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on small or on coarse occasions, we do not easily receive strong impressions, or delightful images; and words to which we are nearly strangers, whenever they occur, draw that attention on themselves which they should transmit to other things. Samuel Johnson strongwritingattention New arts are long in the world before poets describe them; for they borrow everything from their predecessors, and commonly derive very little from nature or from life. Samuel Johnson writinglongart Allegories drawn to great length will always break. Samuel Johnson lengthbreakwriting Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day. Samuel Johnson eyewritingbook Every man is of importance to himself, and, therefore, in his own opinion, to others; and, supposing the world already acquainted with his pleasures and his pains, is perhaps the first to publish injuries or misfortunes which had never been known unless related by himself, and at which those that hear them will only laugh, for no man sympathises with the sorrows of vanity. Samuel Johnson painwritingmen It is indeed not easy to distinguish affectation from habit; he that has once studiously developed a style, rarely writes afterwards with complete ease. Samuel Johnson styleeasewriting In this work are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new. Samuel Johnson degreeswritingtwo The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice. Samuel Johnson writingcharacterart There seems to be a strange affectation in authors of appearing to have done everything by chance. Samuel Johnson chancedonewriting Too much nicety of detail disgusts the greatest part of readers, and to throw a multitude of particulars under general heads, and lay down rules of extensive comprehension, is to common understandings of little use. Samuel Johnson understandingwritinglittles He that writes may be considered as a kind of general challenger, whom every one has a right to attack; since he quits the common rank of life, steps forward beyond the lists, and offers his merit to the public judgement. To commence author is to claim praise, and no man can justly aspire to honour, but at the hazard of disgrace. Samuel Johnson writingmaymen Invention is almost the only literary labour which blindness cannot obstruct. Samuel Johnson blindnessinventionwriting Many causes may vitiate a writer's judgement of his own works. On that which has cost him much labour he sets a high value, because he is unwilling to think that he has been diligent in vain: what has been produced without toilsome efforts is considered with delight as a proof of vigorous faculties and fertile invention; and the last work, whatever it be, has necessarily most of the grace of novelty. Samuel Johnson effortwritingthinking
