Unfortunately, it happens all too seldom that you really disappear behind a work, that you are no longer audible as an interpreter. Dietrich Fischer-Dieskau More Quotes by Dietrich Fischer-Dieskau More Quotes From Dietrich Fischer-Dieskau Brahms believed that there was no need to publish absolutely everything that Schubert ever wrote. Dietrich Fischer-Dieskau schubert brahms needs Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today. Dietrich Fischer-Dieskau mirrors artist hands And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors; what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away. Dietrich Fischer-Dieskau unity house doors Anyone who draws attention to himself as an individual, is viewed with suspicion. We acquired this tendency, of course, from America, and we must resist it: levelling, and imitation of what others are already doing. Dietrich Fischer-Dieskau imitation attention america What concerns me, is the general social tendency to enforce a level, above which nothing rises and stands out. Dietrich Fischer-Dieskau standing-out levels social The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form. Dietrich Fischer-Dieskau lines form firsts Rather, I believe that it is very good, if, with the aid of his songs, we can be reminded, among other things, of the social conditions under which Schubert had to work. Dietrich Fischer-Dieskau things good work believe Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him. Dietrich Fischer-Dieskau genius creative way thinking Within each individual young person you meet, you have the same fields to plow. The trick is just to wake thmem up, to sharpen their ears for what's already there in the music. Dietrich Fischer-Dieskau meet person you music It's not all that different with the orchestra. There are orchestras that seem to be encased in dough, so that first you have to break through the normal routine, and clear out the openings. Dietrich Fischer-Dieskau you routine different break You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things. Dietrich Fischer-Dieskau see you space faith
