What I wanted to do [in Allied] was get two characters who fall in love for real, across the barricade, and then it transcends the war.

Steven Knight

Categorized in : War Real Falling In Love

I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.

care character believe

I spoke to Tom's [Hardy] manager and said, "While we're talking about Taboo, do you mind if I also mention this film project that I've got, which is called Locke, and I need Tom to play the lead." And we spoke about both in that meeting and in the end the deal was that I would do Taboo if he did Locke and vice versa.

mind play talking

[The Girl in the Spider's Web] can't be anything other than a sequel, but a couple of books have been skipped, so it is different, in that sense. It's really taking a very strong central character and thinking, how do you execute this? It's quite different.

girl couple strong

There [in Allied] were things that were written that were cut, and things that were shot that were cut, but if the film works, they are erased from memory.

film cutting memories

The sandstorm, which I think is an absolute triumph, could have been awkward. It's sex in a car, so who knows. And I think the rooftops look fantastic [in Allied].

car sex thinking

The time came where I was able to write an original screenplay [Allied], and it would be read and noticed. I had a meeting with Brad [Pitt], just around the time that he was making World War Z. I basically told him the story and said, "This is what I want to do," and he really responded, so that helped me put the thing together and write it.

together writing war

[Allied] got the attention of (director) Bob Zemeckis and Marion Cotillard. I'm glad I waited. If it had been made 15 years before, who knows how it would have looked, but it's got the best possible cast, director and everything. It's been fantastic. It was worth waiting.

waiting attention years

I always thought it would never happen. And then, it became possible. In between commissions, I wrote it as an original screenplay [Allied].

screenplays originals happens

East India Company weren't an evil organization that went around deliberately oppressing people, but they were driven by profit, and how familiar is that now?

organization evil people

The story of James Delaney is also someone who very deliberately presents himself as an individual and plays nations against each other, plays the East India against the Crown, all of those sort of overwhelming concepts that ran the world at the time.

east india play

James Delaney as an individual is sort of like a grain of sand in an oyster who is irritating all of them. But for me he's a creature of the time, like the industrialists who started the Industrial Revolution who extricated themselves from their class and their background

oysters revolution class

There's something about the evolution of television where it evolved from to the things that we're now watching and loving. It evolved from film writers, film actors, and I think gradually people are easing themselves into the amount of time they have.

actors people thinking

The plan is that there would be three seasons [in Taboo], and, as with Peaky Blinders, I have had a destination in mind from the beginning, because I think it helps as a writer. The destination in mind is that James Keziah Delaney sets foot on Nootka Sound. But that's a long way off.

feet long thinking

East India Company were a huge multinational that had the added impetus that they felt they were spreading Christian civilization around the world - so they were pretty free to do anything they wanted.

india christian civilization

I think the East India Company represents what we would think of as a very modern approach to the world where everything was counted, every penny was counted.

east india thinking

I read more and more and I came across this character, Caroline Weldon. Sometimes in history, you find these people that no one would dare create. They're too mad.

mad character people

Obviously, television is a writer's medium, so you get a lot more power and authority. With a film, the discipline is having a beginning, middle and end, and having it work in a specific space of time.

discipline space television

Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, "Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this!" It becomes an art form, in itself. Doing both helps you do each one.

eight years art

There's more to come. Series 4 [of Peaky Blinders] is coming soon. But I'm proud of making my hometown, which is considered to be completely unfashionable, slightly fashionable. People actually know where it is now.

hometown proud people

I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.

talking people thinking