What makes everything one is the style. Alex Katz More Quotes by Alex Katz More Quotes From Alex Katz I like to make an image that is so simple you can't avoid it, and so complicated you can't figure it out. Alex Katz figures simple complicated The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together. Alex Katz style matter together Realist painting has to do with leaving out a lot of detail. I think my painting can be a little shocking in all that it leaves out. But what happens is that the mind fills in what's missing . . . Painting is a way of making you see what I saw. Alex Katz leaving missing thinking If you know what you're doing, you're doing dull stuff. Alex Katz doing-you stuff dull You have to be a little scared of what you're doing. Otherwise, you just paint the same masterpiece a little worse. Alex Katz scared paint littles Actually, you want to go into an area where you're frightened. Otherwise, you're just going to be repainting beautiful paintings, but a little duller each time. Alex Katz want littles beautiful Sometimes it takes me days or weeks to get something clear in my head on what I want to do. Everything is in steps. One thing leads to another. Alex Katz want steps sometimes What's in front of me is what's most interesting. Alex Katz most-interesting fronts interesting Paint faster than you can think. Alex Katz paint faster thinking If you're going to go for 'it' you have a common thing you share with other artists; that's desperation. You jump out a window style-wise. Try to put it together before you hit the ground. Alex Katz style artist wise I know people can be a little nervous about swimsuits, but have some fun with it. Believe you can hold it down. If you believe you can hold it down, you can wear it. Alex Katz fun believe people Part of what Im about is seeing how I can paint the same thing differently instead of different things the same way. Alex Katz paint different way You usually want to get something out of a painting other than the ideas that you had in your head. Alex Katz painting want ideas I use the iPhone now for information. But with selfies, I don't know what those people are doing. It's like they believe what they see is real, even with the [filters]. And God bless them! But to me, it's not a self-portrait, it's a reality project. Alex Katz real self believe Painting seems an old man's business. After a certain time you're out of it, and you just paint masterpieces. Alex Katz painting masters men Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point. Alex Katz drawing guy perfect Most important, for openers, work six hours a day, seven days a week for six years. Then if you like it you can get serious about it. Alex Katz six important years Make a painting you can work on for a long period, and make it look like it doesn't show any effort. Alex Katz effort long looks A New York audience generally likes decorative paintings, and decorative paintings go with the couch. If you change the couch, you change the painting. And when you're coming up, and the paintings aren't first-class decoration, you're at a disadvantage for publicity and sales. Alex Katz new-york class firsts Most contemporary artists are behind the bubble in time. They're making videos that are so incredibly boring compared to a good movie. Or they're making work where I say, "You realize minimal art is 50 or 60 years old?" That's what I tell people to shock them. They just blanch. Alex Katz people years art
