Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print. John Sexton More Quotes by John Sexton More Quotes From John Sexton There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn't be visible at all, it should be transparent. John Sexton manipulation photography jobs Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation. John Sexton black-and-white passion artist I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media. John Sexton photography unique two When I teach and meet a class for the first time, you realize that there are people there that have exceptional abilities or have the potential to do exceptional things and you never know who those people are. My job is to provide the best information I can. John Sexton artist class jobs It was an experience that was exceptional. People frequently ask what it was like and it truly was inspiring. Sometimes during his lifetime, people would try and put him on a pedestal and that's not where he wanted to be, but he was really a great individual. John Sexton artist inspiring people When the object that is produced...the photographic image...has the ability to make tears come to your eyes; to inspire you to the point where you have to catch your breath, then nothing else matters. John Sexton eye photography inspire I think the greatest photographers are the amateur photographers who do it because they love it. Arnold Newman is a good example; he is a consummate professional, but he's also an 'amateur' in the pure sense of the word. John Sexton photography artist thinking I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never been in a power plant before, but I felt, without being overly dramatic, compelled to make photographs of this for myself. John Sexton photographer artist beautiful I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology. John Sexton black-and-white technology artist When I'm about ready to press the cable release on the View camera, I've tried to anticipate some of the challenges I'm going to encounter in the darkroom. John Sexton photography artist views He was a very generous soul and was exceptionally dedicated to the medium of photography. John Sexton dedicated photography soul I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography. John Sexton environment photography love-is In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point. John Sexton phones photography teaching You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph. John Sexton photography trying needs Pictures you have taken have an influence on those that you are going to make. That's life! John Sexton photography photographer taken I find the single most valuable tool in my darkroom is my trash can John Sexton photography photographer tools It had rained on some vivid green ferns in Maine and it was quite beautiful. I was moving the camera slightly and studying the ground glass. Looking at those 20 square inches, trying to find out just what were the right elements to include. John Sexton moving-on artist beautiful It's not a question of getting the opportunities, it's a question of noticing that opportunities are there. John Sexton noticing opportunity To convey in the print the feeling you experienced when you exposed your film – to walk out of the darkroom and say: ‘This is it, the equivalent of what I saw and felt!’. That’s what it’s all about. John Sexton saws film feelings And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today. John Sexton california southern months
