When I was a kid, there were really only two possible futures in the foreground, which were Orwell's '1984' and Huxley's 'Brave New World'. Max Richter More Quotes by Max Richter More Quotes From Max Richter I only ever really follow the music, that's what I'm about, I don't think about it too much. I just wanted to make a piece to sleep through, to sort of explore that sleeping space as a listening space and to have a different encounters between our listening minds or hearing minds and music. I think that's really interesting. After that I feel I've done my job. Max Richter sleep jobs thinking I've always written at night - my working day for years was around 9pm to 2am - though I do keep more regular hours these days. Max Richter hours night years In terms of how the music developed, it was my normal process, which I would say is really a hybrid process of sketching on bits of paper, playing the piano, playing synthesisers, using the computer, staring out of the window, finding things I'd forgotten about, happy accidents, failed plans, best intentions, equipment failures. It is a multidimensional process incorporating a lot of planning and intention and a lot of randomness. Ultimately I just follow the material where it wants to go a lot of the time. Max Richter happy-accidents piano normal A proper record shop reminds us why we got into this in the first place - a place to be reminded of old friends, still in their spots on the shelves, a source of unexpected magic and lucid memories - a place that reminds us that music is more than dumb file sharing and the management of dead data by faceless sociopathic corporations, but a storehouse of dreams, both possible and impossible. Max Richter data dream memories If there's loads of material going by you don't notice the individual things quite so much. Also it really foregrounds the sonic dimensions like electronic ambient music, it's pushes all of that colour to the foreground so you hear little every atom of sound. Max Richter atoms sound littles I'm obsessed with low end, its kind of my religion. In a way it has given me a chance to explore more than I have in any other project. Max Richter chance kind way There is also a particular area of sleep called slow-wave sleep. I immediately liked this idea. It turns out this part of sleep is where the brain basically gets into step with itself and gets into this one single phase of these relatively slow brain waves - around 10 Hz or so - and the whole brain 'fires all at once'. This is a brilliant bit of sleep where we consolidate memory and learning, and memory is one of my obsessions really. Max Richter fire sleep memories 'Spring One' probably has only four bars of Vivaldi in it, but it feels like it's all Vivaldi. It's odd. It's a bit like walking around a sculpture, you just sort of see it from a different angle. Max Richter see you walking spring I came from a Conservatoire background where the idea of complexity was very much bound up with good music - good music was seen as complex and difficult to understand. Max Richter good understand difficult music I think, as human beings, we all have a fundamental mode, a basic way of relating to the rest of reality, and for me, it's always instinctively been about sound making and trying to extract information, grammar, meaning from sound making. That's been my way of navigating reality that's very personal; a painter might say they make marks or look. Max Richter rest look me reality We've all got stories to tell that no one else knows. We've all got this truly unique experience of being. So I would say cultivate that, because then also you're cultivating something which is very natural to you. Max Richter say you experience unique All music is just a collision of sounds until you know its internal conventions and understand the nuances. It's a question of familiarity. Max Richter understand know you music Traditional methods for falling asleep work. Non-taxing, repetitive mental tasks have a lulling effect, and I built those patterns into 'Sleep'. Max Richter falling mental work sleep If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all. Max Richter your saying you music I was living in a suburban town north of London, dutifully practicing my Mozart sonatas. And the milkman who delivered the milk in the mornings was kind of milkman by day, composer-artist by night. Max Richter day living milk night When I was a student, if you accidentally wrote a triad in a piece of yours, it was just sort of like you were breaking the law! You just couldn't do it. And that just meant you were a bad composer. Max Richter student bad you law I lived in Scotland a long time, and I became aware of Mogwai really from the beginning. They seemed to be fusing hard music structure and sort of raw sonics. They're just very creative thinkers, musical thinkers. Max Richter beginning music time long 'Black Mirror' obviously has its own universe, with a very strong fingerprint and strong themes, and I was intrigued on reading. It's such a powerful piece of storytelling. Max Richter mirror universe black reading When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly. Max Richter pictures think focused music 'Sleep' is a project I've been thinking about for many years. It just seems like society has been moving more and more in a direction where we needed it. Our psychological space is being increasingly populated by data. And we expend an enormous amount of energy curating data. Max Richter society space sleep thinking
