When there's a painting in the room, my eye goes right to it. It's like if you go into a bar and there's a television on, you can't take your eyes off the television. Paintings have that effect on me. It's where my eye settles. Joe Bradley More Quotes by Joe Bradley More Quotes From Joe Bradley The internet might be a convenience, but it hasn't yet, for me, been a fundamental reordering. These things are supposed to be time-savers, so you have more time standing at your easel if you so choose. Joe Bradley internet fundamentals might I guess I have no motivation to make an abstract painting, even if they sometimes read as abstract. I think, with abstraction, it's easy to fall into a sort of pastiche. Joe Bradley motivation fall thinking I'm also interested in something that can happen later in life. In midstream, you can suddenly take what looks like a detour; I'm sure I've taken many detours. Joe Bradley later-in-life taken looks I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments. Joe Bradley cooking giving thinking I've had phases where the compass point seems lost. It can happen for various reasons, among them, that you're trying to do something outside your skill set; your skills have to catch up with the things you see in your head. But it's important to make all of those paintings, even the failed ones. Joe Bradley skills important trying I always like being surprised and sort of caught off guard by other people's work. So it doesn't cause me any anxiety to explore different avenues. Joe Bradley anxiety different people Maybe I don't have the same sense of humor. Maybe people aren't comfortable gauging a painting that way. They think that if it's a painting then it must be serious. I think Picasso can be hilarious, to name one example. Joe Bradley names people thinking I think painting has that unique potential to project opposing viewpoints. Joe Bradley viewpoints unique thinking Painting has this ability to send the viewer [backward], but it's also this physical object in the room with you. It's always knocking you back into the present moment, which I find very pleasurable. Joe Bradley painting moments rooms I'm not a planner. I should be more articulate about what the imagery means, but I don't have a good reason for it; it's just there. Joe Bradley should reason mean I'm not interested in popular culture, particularly. I'm not against it, I'm not avoiding it, but I'm not interested in it as a force in life. Joe Bradley not-interested force culture It's a funny semantic turn - when someone paints a landscape, no one says they "borrowed" it, only that they painted it. Joe Bradley landscape turns paint There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference. Joe Bradley painting culture art I think what's happened in art criticism, or art thinking, in last 30 or 40 years is a confusion between the "what" - the subject - and the "how." Most attention goes to the "what," but it's the "how" that's the important part - how something is brought into being. Joe Bradley years art thinking I suppose some people find their voice later than others, but it's interesting to look back at really early work to see that there's some kernel or a Rosetta Stone, in a way. Joe Bradley voice people interesting I've always liked the fact that galleries are free to visit in New York. Joe Bradley gallery new-york facts People weep at music all the time, because music gives form to some abstract level of integration. Joe Bradley levels giving people
