Brian Michael Bendis: With every script, I write a note to my collabor...

Write. Write every day. Write honestly. Write something that doesn’t exist, and you wish did. Read. Learn. Study. Watch people. Listen to what they say, listen to how they say it and listen to what they do not say. Surprise yourself. Scare yourself.

Brian Michael Bendis

wish writing people

The trick is not caring what EVERYBODY thinks of you and just caring about what the RIGHT people think of you.

Brian Michael Bendis

caring people thinking

This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by.

Brian Michael Bendis

paper long television

If you're miserable and someone flies by looking like they have everything in the whole world and it's never going to be you, that's tough to deal with.

Brian Michael Bendis

miserable tough world

If you loved everything you were writing, you would be deluding yourself or a complete and absolute narcissist. It's not about liking what you write, it's about improving with every word, little by little, exploring your craft, becoming the artist you hope to be one day. And you can only do that by working at it every day. It doesn't happen overnight, it doesn't happen over a weekend, it is a lifelong pursuit.

Brian Michael Bendis

weekend writing book

Artists are not your art monkeys. They are your collaborators. They should be given all due consideration to follow their journey.

Brian Michael Bendis

monkeys journey art

I have a very strong color theory, for instance, where in 'Powers,' green means powerless, and red means power.The story was all there, but I was desperate to make sure that extra level was the case.

Brian Michael Bendis

color strong mean

Reading Homicide by David Simon was the first time I said, "What if this was in a world of superheroes?" That was a very good idea. What if Chinatown took place in a world of superheroes, that became Jessica Jones. Just things that I love, you can match up the genres and have fun with it, those moments.

Brian Michael Bendis

reading love-you fun

I've been reading Ed Brubaker comics since the first appearance of Ed Brubaker comics and every single time he announces a new title I mutter to myself: ugh! I wish I would've thought of that!

Brian Michael Bendis

titles reading wish

The drawing and the crafting of the story are fun, but it's the overall meaning that matters to me. It might escape some people who just want to read a comic, and that's fine. The overall meaning is what matters.

Brian Michael Bendis

drawing what-matters fun

The only damn thing I ever learned in all my years in art school was a piece is never done, it is just finished. You have to trust your inner voice, your instincts, when they tell you pencils down. And you roll up your sleeves and you start over again.

Brian Michael Bendis

years art school

From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.

Brian Michael Bendis

drawing voice unique

If you like Powers, you'll love The Victories!

Brian Michael Bendis

victory ifs

Well it's been about 100 years and every attempt at a comics writers' union has failed miserably. There is, sadly, a long history of short-term thinking and self-destructive behavior among my fellow comic book creators. No matter how many horror stories they have heard they won't even go so far as to hire themselves a lawyer when they need it. It breaks my heart. I am a very proud union member of the Writers Guild. And I can't imagine my fellow comic creators being able to pull something like this together.

Brian Michael Bendis

heart book thinking

Charlie Huston, who showran the first season [of Powers], is a novelist, and likes to internalize fiction as a novelist does.

Brian Michael Bendis

novelists doe fiction

I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.

Brian Michael Bendis

emotional character book

But you have to look at your work with an honest critical eye. Work on the things that you need work on. Scare yourself. Surprise yourself. If you don't like the way it's going, you have complete control over changing the course. That's one of the best things about doing this.

Brian Michael Bendis

scare eye book

And I had worked at the comic-book store almost by accident, because I was deciding to make a living as an artist, be it as an art tutor or illustrator, and that's how I wanted to make my living.

Brian Michael Bendis

comic book art

In my mind jealousy would come with seeing people do something that makes it all look extremely easy when it's not, like artists who can draw better than I can. In college, I was different. I was so hungry that anyone else who was published - I couldn't deal with it.

Brian Michael Bendis

artist college people

I was into comics because these were my real male role models, even though at the time, I didn't know it.

Brian Michael Bendis

males role-models real

With every script, I write a note to my collaborator that says: 'I write full script. But see it as a guide. You take us where we need to go any way you see fit. I tried to write something specifically for you. If you agree with my choices, fine. If not, you do what you have to do.'