Write a million words before thinking about getting published. Carol Berg More Quotes by Carol Berg More Quotes From Carol Berg Memory has no power but what the soul chooses to make of it. Carol Berg soul memories So what is this feadnach? Is it another curse that makes me beholden to slaves and shrews?' 'No, my lord. It is your heart. Difficult as it may be to comprehend, there is a possibility you may have one. Carol Berg shrews heart may Books don't prattle. Books don't make demands. Yet they give you everything they possess. It's a very satisfying partnership. Carol Berg demand giving book A soldier never dies. His blood makes the grass green for his children. Carol Berg soldier children blood Write. Write. Write. Learn how to revise. No story is perfect straight from the keyboard. Carol Berg learn story how perfect I'm a fairly ordinary person - a lifelong reader, a former software engineer, and former math teacher. I come from a wonderful family of teachers, musicians, librarians, and engineers. I think I surprised them as well as my friends and coworkers when I took up writing as a hobby and let it take over my life! Carol Berg my-life family teacher life I never believed I could write anything. No way - write a whole story? Figuring out all that plotting and symbolism? How do you foreshadow things? Carol Berg story never you way There is one plot point in one of the 'D'Arnath' books that I don't think I handled as well as I could have. Am I going to tell you which one? No way! Carol Berg tell think you way I had really good English teachers in elementary through high school. Not only were we required to read a lot - which is the best training for writing - we were drilled on grammar every day, every night. I hated the drill part, but I don't dangle my participles too often. Carol Berg best day good night I would love to have written Roger Zelazny's first five books of 'Amber.' What a great idea he had about the shadings of reality! Carol Berg books great love reality At one of the first science fiction conventions I ever went to, I saw a guy wearing a sandwich board promoting his book. Count me out of that one. Carol Berg sandwich me science book Some reviewers call my stories dark - and yes, there is violence and angst, and the stakes are high - but I like to think that the endings are satisfying and hopeful. Carol Berg high think violence dark I enjoy worldbuilding very much. I generally start with an approximation. With 'Flesh and Spirit' and 'Breath and Bone,' because I was thinking of a world on the brink of a dark age, I began with the sense of Roman Britain. But I purposely set the geography to match something other than Britain - which has been overdone. Carol Berg enjoy age world thinking For the 'Rai-kirah' books, I began with the image of Aleksander riding the great wastelands, and that quickly morphed into the desert. Because I wanted my slave market cold and miserable, I chose to set the opening scene in the empire's summer capital in the mountains. Carol Berg mountains great riding desert My college roommate gave me her copy of 'Lord of the Rings,' and I read that probably five or six times - not because I think it's the greatest thing ever written, though some people certainly think it is - but the world he creates is so vivid. So real that he designed its own languages, history and mythology. Carol Berg me history people world One of the things that put me off writing for a while was that piece of advice everybody gives new writers: 'Write what you know.' Nobody would ever want to read about my boring life! But I do know a lot of things about different societies' cultures and mythologies. The way people were and are. Carol Berg me you life people I like to write stories that read like historical fiction about great, world-changing events through the lens of a flawed protagonist. Carol Berg great like events historical Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing. Carol Berg difference bad good writing Writing is communication, and you don't know how you're doing until you put it in front of someone else's eyes. You also learn from critiquing other writers' work. Carol Berg eyes you communication work
