You have to forgive me because I have a habit of not winning thin... by Kate Winslet

You have to forgive me because I have a habit of not winning things.

Kate Winslet

Image Embed Code

Categorized in : You Me Winning Habit

I have a crumble baby belly, boobs are worse for wear after two kids...I'm doing all right. I'm 33. I don't look in the mirror and go, "Oh, I look fantastic!". Of course I don't. Nobody is perfect. I just don't believe in perfection. But I do believe in saying, "This is who I am and look at me not being perfect!". I'm proud of that.

inspiring beauty baby

It's true that you need much time to get rid of the fat girl you once were, but you know I am sincerely grateful for my buttocks.

grateful girl needs

I will tell you that when I was heavy, people would say to me - and it was such a backhanded compliment - they would say, 'You've got such a beautiful face,' in the way of, like, 'Oh, isn't it a shame that from the neck down you're questionable.'

beautiful people way

I wouldn't be a part of anything that had acts of violence toward children. I don't think I would do a horror film, either. That just doesn't sit well on my soul.

soul children thinking

I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.

But I really can't and I actually don't like switching off because I worry that I might lose my thread, or something. I fall asleep and I hope to God that I'm going to dream about it, because then I don't have to put it down.

dream worry fall

es, I spend a lot of time in Reading because we live in Oxfordshire and so we're always just in and out of each other's houses. It's very much the family that it always has been. But there's no comparison with Hollywood as such.

hollywood reading house

Apart from The Holiday, I haven't really spent a huge amount of time in LA. Not that I avoid it, it's just that I don't often go there unless I'm doing press. The one thing I have discovered about LA with kids is that it's really great for children. They really like the sun and making sand castles.

holiday kids children

I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.

emotional important thinking

Yeah, acting is very difficult. As much as I love it, and the challenge of it, I'm so often just terrified by it.

yeah acting challenges

I've never worked with prosthetics before in that sort of capacity. I did a bit of prosthetic work when I had to give birth in Jude, which is quite a different set of prosthetics. But I had so much admiration for the hair and make-up department and the prosthetics team, who are actually based at Shepperton, and who put together that look for Hanna. I

team hair giving

I love to cook; I cook every day. Chicken features a lot in our l... by Kate Winslet

I love to cook; I cook every day. Chicken features a lot in our lives.

our-lives cooks chickens

I am a person. I am not a soap opera. There is never going to be a next [tabloid] installment about my life because my own stuff is my own stuff.

tabloids opera stuff

I ordinarily do one film a year and the rest of the time I'm at home with the kids. Even when I am working I'm still basically at home and with the kids. I've never left them to go to work.

home kids years

Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.

play opportunity years

There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.

preparation important long

Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.

couple blessed character

For me, they definitely made it more challenging. The comfort zone factor really kicked in between Leo and I, and I just think that's because we know each other so well. We've known each other since we were 20-years-old.

challenges years thinking

With The Reader, I'd just be shattered at the end of every day really. I wouldn't really want to talk. We kept saying, because we were in Berlin: "If we get back at a decent hour, let's go and have a glass of wine." We'd always think it would be a great idea, but then get to the end of the day and then go [acts drowsy and blabs]. It was very difficult for everybody.

wine ideas thinking

Obviously, for the majority of parents and certainly me you gain a million worlds when you have a child. Certainly, it's the thing that's changed my life and made me unbelievably happy.

majority parent children