You're going to react to a painting in a way that the painting demands you react. Greil Marcus More Quotes by Greil Marcus More Quotes From Greil Marcus What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.” Greil Marcus sparks art moving Words that in their everyday surrealism have no parallel in contemporary writing... Music that mines the deep veins of fatalism in the Appalachian voice Greil Marcus voice everyday writing We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail Greil Marcus rehabilitation stories success What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there. Greil Marcus song ideas moving We fight our way through the massed and leveled collective safe taste of the Top 40, just looking for a little something we can call our own. But when we find it and jam the radio to hear it again it isn't just ours -- it is a link to thousands of others who are sharing it with us. As a matter of a single song this might mean very little; as culture, as a way of life, you can't beat it. Greil Marcus music song mean The Sixties are most generously described as a time when people took part - when they stepped out of themselves and acted in public, as people who didn't know what would happen next, but who were sure that acts of true risk and fear would produce something different from what they had been raised to take for granted. Greil Marcus risk different people Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that. Greil Marcus writing song people Every youth movement presents itself as a loan to the future, and tries to call in its lien in advance, but when there is no future all loans are canceled. Greil Marcus youth movement trying I want another idea, another project, but you can't make them up. They show up. Greil Marcus projects want ideas It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths. Greil Marcus myth dead-ends culture No failure in America, whether of love or money, is ever simple; it is always a kind of betrayal, of a mass of shadowy, shared hopes. Greil Marcus betrayal failure simple Listening is like running down a mountain on a switchback trail, the sound of surprise generating its own momentum. There’s a punk glee inside the bluegrass craft–and a punk vehemence inside the bluegrass smile. Greil Marcus mountain listening running Patriotism in America, as I understand it, is a matter of suffering, when the country fails to live up to its promises, or actively betrays them. Greil Marcus country america promise I am a critic who is pulled toward history. But Bob Dylan himself is a great historian. He is an historian who acts out history. So it always has a personal stamp. It always has a particular timbre. It always has a particular howl, or a moan, in that voice. Greil Marcus timbre bob voice Farber had a huge effect on me as a writer. I don't mean I write like him. Farber is, first of all, a great stylist, a great writer. Anyone can read Manny Farber's film criticism, whether that person is a novelist, a poet, another critic, a historian, and learn a lot about writing by reading him. Greil Marcus reading writing mean Punk to me was a form of free speech. It was a moment when suddenly all kinds of strange voices that no reasonable person could ever have expected to hear in public were being heard all over the place. Greil Marcus strange speech voice It may be that the most interesting American struggle is the struggle to set oneself free from the limits one is born to, and then to learn something of the value of those limits Greil Marcus struggle may interesting Rock 'n' Roll is a combination of good ideas dried up by fads, terrible junk, hideous failings in taste and judgment, gullibility and manipulation, moments of unbelievable clarity and invention, pleasure, fun, vulgarity, excess, novelty and utter enervation. Greil Marcus rocks fun ideas Elvis' early music has drama because as he sang he was escaping limits. Greil Marcus escaping limits drama As I write, Johnny Rotten's first moments in "Anarchy in the U.K." - a rolling earthquake of a laugh, a buried shout, then hoary words somehow stripped of all claptrap and set down in the city streets - I AM AN ANTICHRIST - Remain as powerful as anything I know. Listening to the record today - listening to the way Johnny Rotten tears at his lines, and then hurls the pieces at the world; recalling the all-consuming smile he produced as he sang - my back stiffens; I pull away even as my scalp begins to sweat. Greil Marcus powerful writing earthquakes
