Younger people are discovering my work, even though my reggae is not like theirs. Linton Kwesi Johnson More Quotes by Linton Kwesi Johnson More Quotes From Linton Kwesi Johnson Writing was a political act and poetry was a cultural weapon. Linton Kwesi Johnson political poetry writing I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society. Linton Kwesi Johnson black-youth motivation writing That the language of the poetry of Jamaican music is rastafarian or biblical language cannot simply be put down to the colonizer and his satanic missionaries. The fact is that the historical experience of the black Jamaican is an experience of the most acute human suffering, desolation and despair in the cruel world that is the colonial world. Linton Kwesi Johnson biblical black historical At the end of the day, life's about realising one's human potential. I don't know if I've realised mine, but I've certainly gone a long way towards realising some goals and some dreams. Linton Kwesi Johnson goal dream long The more I read my poems, the more I find out about them. I still read them with the same passion I felt when I wrote them as a young man. Linton Kwesi Johnson linton passion men I don't go to see bands any more because I've got tinnitus, so I have to avoid loud music. You get used to it, but when it's quiet you hear a constant ringing. Linton Kwesi Johnson band used quiet ....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican. Linton Kwesi Johnson jamaica expression spiritual Once you have a disease like cancer, you look at life a bit differently. Some things that were important no longer seem as important as they were. Linton Kwesi Johnson cancer important looks I have never, ever sought validation from the arbiters of British poetic taste. Linton Kwesi Johnson poetic validation taste I wrote two poems about the 81 uprisings: Di Great Insohreckshan and Mekin Histri. I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time. Linton Kwesi Johnson uprising taken two Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom. Linton Kwesi Johnson resistance voice spirit The modern stuff, I can take it or leave it. I like its danceability, but the DJs talk a lot of nonsense. Linton Kwesi Johnson leave talk nonsense i-can
