As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.

Craig Finn

Categorized in : Moving

There are nights when I think that Sal Paradise was right / Boys and Girls in America / Have such a sad time together.

girl night boys

Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.

different song people

Sometimes things reveal themselves to you a little bit. I think it was Joan Didion that said, "We write to find out what we're thinking." And sometimes that happens.

writing littles thinking

I would never talk to a girl in a bar, like a pick-up thing. But I could talk to anyone if they wore a t-shirt of a band I like.

bars band girl

People make maps of all the places I've mentioned. I knew that those people were out there. I wanted to create something for them.

maps wanted people

I'm able to draw outside my own personal experiences. No one wants to hear the song about what I really did today, which is go get coffee and clean my apartment.

coffee want song

I really like narrative songs, but I wonder if that's a thing for some people. Once they've heard the story, do they really need to hear the story again?

song people needs

When people hit on feeling a certain melancholy or elation, it's a really exciting moment. I think making that connection is the goal, and what makes something great.

goal people thinking

Springsteen on that record started writing less about having your wind in your hair and turning the radio up and more about being dragged down by adult things. Regular people trying to get ahead. A little less mythical and romantic, and more real. It's a really spectacular record for that reason.

real hair writing

The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.

real college song

I am a really obsessive music listener, and I would look for clue... by Craig Finn

I am a really obsessive music listener, and I would look for clues.

obsessive clue looks

Someone should have a record that doesn't have any singing. It's my favorite Miles Davis record. I love hanging out in the summer, in New York, when it's miserably hot. I love electric Miles Davis in the summer. Jack Johnson, the songwriting especially, is a premier example of that. It always makes me feel hot in the city. It's also nice to have something not yelling in your ear. For me, as a lyricist, it's nice to put on something without any words.

nice new-york summer

It's a template record for the intersection between pop and noise, starting out with 'Sunday Morning' - a real beautiful, almost innocent sunny day song. You have a lot of different types of things on one record. It can be really pretty, or it can be really awful inside, depending on where your head's at at the moment. I got it in ninth grade and I think I've listened to it every month since then.

song morning beautiful

It's good to have some kind of California in there. It's almost always appropriate. It's appropriate on a sunny day or late at night. If you grew up on the Grateful Dead, which I certainly did, you listened to 10 million bootlegs. But you realize that American Beauty has some really tight, well-arranged songs that aren't meandering.

grateful song night

I think you want to write a song that's like the songs you are in... by Craig Finn

I think you want to write a song that's like the songs you are into.

writing song thinking

So maybe it’s just a part of who we all are, and always were. My worry now, though, is that we are starting to nurture these neuroses of ours, and treating them like pets. That can’t be a good thing.

neurosis pet worry

I use a lot of specific places in my songs - traditionally, a lot from Minneapolis and St. Paul, where I grew up. Most people, especially when you get into international touring, have not been there. So you say, "Well, isn't it risky to talk about the corner of Franklin Avenue and Lyndale?" If you do it right, someone should say, "God, I know a corner like that." Offering specific details to describe something universal.

offering song people

I think when you are doing a song you're trying to give people en... by Craig Finn

I think when you are doing a song you're trying to give people enough details that they connect.

song people thinking

I think the biggest thing - and this I think is true of songs but also of movies and books and art in general - is when you have this moment where you hear a song or whatever and you say, "Hey, I've felt that exact way as a human being," and there's no easy way to describe it.

song book art

There's this moment sometimes, when you do a crossword puzzle and you have the one really long word. And once you get that, the whole thing kind of comes into focus. Sometimes it's just working things over in your mind and then finding that one line that kind of ties the song together, and now it works. It's a puzzle of sorts.

ties song long