Quotes by Style In the immemorial style of young men under pressure, they decided to lie down for a while and waste time. Michael Chabon stylemenlying Absolutely, although every congregation will say, you know, every worship leader will say it's vital. It's very important, but again these are, you know, these are different cultural styles. Michael Emerson styleimportantleader Call-and-response style, yes, exactly. So whenever different groups get together then there has to be this long period of negotiation. How will we worship? What's acceptable? What's not? If I want to say "Amen" can I? Michael Emerson styletogetherlong If I have a style, I am not aware of it. Michael Graves stylearchitectureifs I'm always trying to push myself into unfamiliar places with the music, sometimes without success, I have to admit. But I'd rather be there than relying on a style that people recognize and want to follow. Michael Gira always-tryingstylepeople I have no requirements for a style of architecture. Michael Graves requirementsstylearchitecture The promise to take back control of our borders. I will end free movement, introduce an Australian-style points-based system for immigration, and bring numbers down. With my leadership, it will be delivered. Michael Gove stylenumberspromise I've written a lot of other books and this book [Tears we cannot stop] was different. I couldn't just say what I wanted to say in the same style that I said it in those other books. I felt compelled to preach. Michael Eric Dyson styletearsbook I think the tendency to paint composers or styles of music with too broad a brush - for example, identifying composers as writers of "simple" or "complex" music - has become increasingly problematic and is almost never productive. Michael Hersch stylesimplethinking I look at Jagger and the like and if I see a good attitude I'll admire it but I wouldn't copy their style. Michael Hutchence styleattitudelooks I believe that photographers should be passionate, determined, disciplined and ready to seek out their own styles and identities. Michael Kenna styleidentitybelieve What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon. Michael Kupperman stylefeelingstrying The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows? Michael Kenna signaturesstylethinking Composition in photography is almost as varied as composition in music or words -- melodic or atonal, safe or daring -- and can enhance subject, theme, and style. Every photograph you take involves you in some compositional decision, even if this is simply where to set up the camera or when to press the button. Michael Langford stylephotographydecision I don't consider myself a person of fashion because it's too sophisticated. My thing is I look at style like swagger. I like things that pull me, that I gravitate to. Michael K. Williams stylefashionlooks Women are much more comfortable making their own style rules now. They want pieces that will make their busy lives easier. Michael Kors stylepieceswant We are all trying to get the exact style of ouuselves. Michael McClure styletrying Onlookers frequently confuse edge with style...Edge means generating excess returns because of mispricing. Style suggests being in the right place at the right time. Sometimes edge and style overlap, sometimes they don't. Michael Mauboussin excessstylemean Angus Deaton has written a wonderful book, The Great Escape: Health, Wealth, and the Origins of Inequality. . . . Deaton's book is a magisterial overview of health, income, and wealth from the industrial revolution to the present, taking in countries poor and rich. Not just jargon-free but equation-free, the book is written with a beautifully lucid style. . . . [P]owerfully argued and convincing. Michael Marmot stylecountrybook I'm kind of the town pump. I think I have a pretty good ear for what sounds good in this style. Michael McKean stylesoundthinking«8485868788899091929394»
