Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'

Sarah Weinman

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Out of the ashes of the Great War came the freewheeling cultural renaissance that was the Jazz Age, but the decade-long party of flapper dresses and bootlegging came to a crashing halt with the Crash of '29 - triggering the Great Depression and the New Deal that would help America get back on its feet, just in time for another, greater war.

Sarah Weinman
age depression time war

Ultimately, bridging the practice of forensic science and the public's need for story may be difficult. We crave narrative, order from chaos, a mystery solved, good guys winning out over the bad ones. But science, and forensic science, should be more neutral and, thus, more nuanced.

Sarah Weinman
good practice winning science

As his celebrity grew in stature, as he transformed from line cook to chef at Les Halles and further high-grade Manhattan restaurants to charismatic television star, I kept hoping - foolishly, perhaps - that Bourdain might return to his first writing love, to the books he wrote and published when his audience was smaller but still devoted.

Sarah Weinman
writing love television chef

The quality I appreciated most about Grafton was her loyalty. She stuck with 'Kinsey Millhone' and the alphabet series conceit for her entire career but did not allow herself to stagnate as a writer. Kinsey's first-person narrative gradually made room for other, third-person perspectives.

Sarah Weinman
she career quality loyalty

'The Chill,' by Jason Starr and Mick Bertilorenzi, was both a wise and nervy choice to start the year: Starr's standalone novels, such as 'Hard Feelings' and 'The Follower,' sustain a mood not unlike the perpetual unscratchable itch on one's back, and go Highsmith-level deep into the sociopathic mind.

Sarah Weinman
chill mood wise mind

In 'A Bone in the Throat,' he describes his protagonist and alter ego, the cook Tommy Pagano, as 'darker, and not as tall as the chef, his hair stood up straight and spiky like a young Trotsky's.' He describes Little Italy with such verve, such flavor, that it is impossible not to smell the streets or taste the food.

Sarah Weinman
ego hair food chef

'Basic Black with Pearls', upon its publication in 1980, was greeted with a mix of praise and misunderstanding. Critics sensed its daring and applauded its formal inventiveness, but those qualities also kept people at bay.

Sarah Weinman
misunderstanding black praise people

Judging by the volume of titles published each year, mystery readers are restless in their pursuit of literary escape. They might travel to far-flung places or stick close to home with their favorite hobbies. They can solve the world's greatest conspiracies or root for a lone wolf grappling with personal problems mundane and bleak.

Sarah Weinman
problems home world travel

Most people will pay tribute to Anthony Bourdain as a chef, as the author of 'Kitchen Confidential,' and as the host of several food and travel shows - most recently, 'Parts Unknown' on CNN.

Sarah Weinman
food people chef travel

Alan Jay Lerner needed a hit. The Broadway lyricist and librettist was a decade removed from his greatest successes when his partnership with composer Frederick Loewe produced something approaching unholy alchemy.

Sarah Weinman
decade greatest something partnership

I was pretty serious about pursuing forensic science as a profession. In fact, I pursued an internship at the office of the chief medical examiner here in New York.

Sarah Weinman
new medical serious science

'Basic Black with Pearls' contains overt references to Virginia Woolf and covert ones to feminist classics like Kate Chopin's 'The Awakening' and Charlotte Perkins Gilman's 'The Yellow Wallpaper.' The scholar Ruth Panofsky, who writes extensively about Weinzweig, sees echoes of George Eliot.

Sarah Weinman
who like black yellow

In the summer of 1997, a little more than half a lifetime ago, I got my first proper summer job. The job, with one of the many branches of Canada's federal government in Ottawa, covered the entire tuition for my sophomore year of college.

Sarah Weinman
job canada government college

Oddly, the anti-heroes of both 'The Chill' and veteran comics writer Peter Milligan's 'The Bronx Kill' share a first name, though their occupations and plights couldn't be any more different.

Sarah Weinman
name more chill different

As Paretsky detailed in her short memoir Writing in an Age of Silence (2007), early optimism buoyed by the civil rights movement of the 1960s and early 1970s has, in her view, all but crumbled in the face of a bombardment of sadism and misogyny, the withholding of civil liberties, and the nation's move from proud speech into near-deafening silence.

Sarah Weinman
face proud silence age

In 2011, I contributed an essay to Tin House, 'The Dark Side of Dinner Dishes, Laundry, and Child Care,' talking about women writers I felt had fallen off the map.

Sarah Weinman
child dinner women dark

'Laura' was overtly political for sure. Caspary was trying to make a point about women and independence and how men viewed them, with derision or condescension or on a pedestal, when the real person was ignored.

Sarah Weinman
independence women political men

Vera Caspary wrote an essay called 'My 'Laura' and Otto's' where she talks about the arguments she had with Preminger. She felt that not only did he misunderstand the character but that he couldn't help but be misogynist.

Sarah Weinman
she help only character

A lot of the major players in the 1960s were the same as the 1940s and 1950s - Hitchen's 'Sleep with Slander.' Armstong's 'Lemon in the Basket,' which is a fusion of the political assassination thriller and a family drama. And Hughes's 'The Expendable Man.'

Sarah Weinman
man family political sleep

I first read 'Lolita' when I was 16, which I think is a little bit young. But it was a thrilling and disturbing read because it was the first time I really sensed that you could have an unreliable narrator, that you didn't have to sort of tell the truth in a narrative, that there could be something deeper and richer and more complicated going on.

Sarah Weinman
think you truth time