Getting out of bed in the morning is an act of false confidence. Jules Feiffer More Quotes by Jules Feiffer More Quotes From Jules Feiffer I told the doctor I was overtired, anxiety-ridden, compulsively active, constantly depressed, with recurring fits of paranoia. Turns out I'm normal. Jules Feiffer anxietydoctorsnormal Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid. Jules Feiffer stupidartthinking Be warned against all 'good' advice because 'good' advice is necessarily 'safe' advice, and though it will undoubtedly follow a sane pattern, it will very likely lead one into total sterility--one of the crushing problems of our time. Jules Feiffer crushpatternsadvice That was exciting to be able to comment on civil rights. I mean, the civil rights movement that young people don't know about today, but Martin Luther King was considered by the establishment press in the early years of the sit-in movement as a dangerous man, and he was the equivalent at that time as Malcolm X. And he was told to stop his demonstrations; they were against the law and all of that. Now that he's sainted and sanctified we've forgotten. Jules Feiffer menmeanpeople I grew up to have my father's looks, my father's speech patterns, my father's posture, my father's opinions, and my mother's contempt for my father. Jules Feiffer motherfatherlooks Remember when you were a kid and the boys didn't like the girls? Only sissies liked girls? What I'm trying to tell you is that nothing's changed. You think boys grow out of not liking girls, but we don't grow out of it. We just grow horny. That's the problem. We mix up liking pussy for liking girls. Believe me, one couldn't have less to do with the other. Jules Feiffer girlbelievekids Maturity is only a short break in adolescence. Jules Feiffer break-uphumorouskids Whether these were liberal publications or conservative publications, whether they were mainstream or slightly to the side of the mainstream; out of the mainstream, they all believed that they had the right to tell you how to stylize yourself. And from the New York Times to the much more left-winged nation. And The Voice said, no, whatever you want to. You drew whatever you want to, we'll publish it. Nobody was doing that. Nobody does it today. The Voice is no longer that paper, and editorializing is now in the hands of editors, with few exceptions. Jules Feiffer exceptionconservativetoday We are all continually embarking on first drafts, in every aspect of our lives. Jules Feiffer embarkingaspectfirsts I was never interested in the two-party system per se. I was interested in how authority was abused by government, and how lies were told, and rewritten, to seem to be true. I came up out of a tradition of radical journalism. Jules Feiffer partygovernmentlying If you are not able to communicate successfully between yourself and yourself, how are you supposed to make it with the strangers outside? Jules Feiffer communicateablestranger I found it was my good fortune to somehow be able to work in these forms that I loved when I was a kid. I love movies and I could write screenplays. I love theater and I could write plays. I mean, they would be my own, I could never write what was used to be called the well-made play. But my first play, "Little Murders," turned out to be a great success and a great influence on plays at that time. Jules Feiffer writingmeankids Over the years, I discovered over and over again that once you lose control, you have a chance of getting good at it. And once you're controlling the work, it's not going to be very good, or it won't be as good as it should be. Jules Feiffer chanceshouldyears I used to think I was poor. Then they told me I was not poor, I was needy. They told me it was self-defeating to think of myself as needy, I was deprived. Then they told me underprivileged was overused. I was disadvantaged. I still do not have a dime but I have a great vocabulary. Jules Feiffer vocabularyselfthinking Design is important because chaos is so hard. Jules Feiffer chaosdesignimportant When I am working a book, I go through my library and take a look through some of the great cartoonists of the past, like Cliff Sterrett, who did "Polly and Her Pals," or Winsor McCay who did "A Little Nemo in Slumberland," and Herriman - and I just looked through these guys and looked for somebody to steal. You know, looked for who I could swipe, or turn into - who's work I will turn into my work. And I still use, after all these years, these artists as inspirations. So, here in my eighties, I go back to when I was eight for my inspiration. Jules Feiffer inspirationbookpast Imagination continually frustrates tradition; that is its function. Jules Feiffer traditionfrustrationimagination You know with Obama being elected, we had a wonderful opportunity. I hope it's not blown, and we have forms of government that don't seem to be up to the level of the leaders who are around who will want to move this country in a proper direction. Where that goes and how that goes, I mean, we seem determined to not move ahead, to stay in the same place. And there are a lot of nuts out there as well. Jules Feiffer meancountrymoving When you do the kind of work I do, everything is challenging, but probably the most challenging thing is getting up in the morning and getting on with it because it's so easy to stay in bed and not get on with it. Jules Feiffer kindchallengesmorning There's the excitement of adding color, which I didn't know anything about until 1997 or so, when I did my first picture book. So, the kid's book in particular have been exciting for me because it forced me to go back to the work I loved as a young boy reading Sunday's supplements and comics in the Sunday papers when I was six, seven, eight, nine. And number of which have been in wonderful collections, beautifully reproduced. Jules Feiffer sundayreadingbook
