I had [at school] my own little posse of people that all felt weird together so it wasn't so lonely. John C. Reilly More Quotes by John C. Reilly More Quotes From John C. Reilly Most boys' first hero is their father. That was definitely true of my dad. He was a proud Irish American and he taught me a lot about ethics and responsibility. He also introduced me to a lot of wonderful folk music. John C. Reilly dadherofather A script is like a theory of a movie. John C. Reilly scriptstheory I'm dating myself by saying this, but I was the test audience for 'Space Invaders.' I remember when that was the first game that wasn't a pinball game. I spent a lot of money on 'Space Invaders,' in the form of quarters, of course. John C. Reilly datingspacegames I'm a big fan of not letting the audience of off the hook, as they say. I like it when things feel real, and that's oftentimes not comfortable. John C. Reilly hookfansreal In Chicago it's really a case of the play's the thing - people are just so happy to be acting, you know? We were all actors - not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials. John C. Reilly new-yorkplaypeople Life is often confusing and sad, and I'm a big fan of the slap and the tickle, as they say. John C. Reilly confusingfanslife-is Oftentimes, a funny situation is funny because it's uncomfortable or weird. The most memorable stories, or the stuff that you repeat to your friends, it's not like, "Oh, I had a pleasant day, nothing happened on the bus today." It's when strange things happen, when you become uncomfortable or knocked out of your own reality, those are the things that are interesting. John C. Reilly memorablerealityinteresting The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny." John C. Reilly mindlaughingpeople I love to improvise, but I always thought "Man, it's like the final frontier for improvisational actors, to really go for something emotional, something that's not just chasing the laugh." John C. Reilly emotionallaughingmen I end up improvising in almost everything to some degree, 'cause it's often necessary on movies. The script is one thing, and it's this kind of theory of what you're going to do, and then you get there on the day and you realize, "Oh, the script is not appropriate to this room, the door's over here." John C. Reilly scriptsdoorsrooms I think just getting a movie done is an accomplishment in itself. John C. Reilly accomplishmentdonethinking When you're dealing with younger people, if you start acting like the leader or the expert or the elder statesman, 'well, let me tell you how this is...,' that's a great way to alienate young people and make them hate you. John C. Reilly hateleaderpeople There's something about the water - that solitary kind of peaceful feeling. You're on Earth but not quite. John C. Reilly feelingyouearthwater Oh, absolutely, it felt more serious than your typical job. One of the things that got us through how difficult the shooting actually was was that we are telling a real story. John C. Reilly storyjobseriousreal Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.' John C. Reilly youmindfunnypeople
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