I'm still really into set design and construction when I do films. I notice that stuff. John Ratzenberger More Quotes by John Ratzenberger More Quotes From John Ratzenberger You've got to write for your audience. John Ratzenberger audience writing A farce, or slapstick humor, does well universally. John Ratzenberger farce humor doe When I go to the garage to pick up my clubs, I clean the spider webs off. John Ratzenberger spiders clean clubs You'll be tested every single day. John Ratzenberger tested On my visits back home, if they saw that I was getting a big head, they'd let me know right away. John Ratzenberger saws bigs home I have been raising money for the past 14 years for diabetes research. John Ratzenberger research past years I come from Bridgeport, Connecticut and have friends I grew up with there. John Ratzenberger connecticut grew grew-up I always played a soldier, sailor, or policemen. John Ratzenberger policemen soldier sailor Really, improv is all about creating for what's around you, in the moment, so it fits in a way that you can't see the seams. It's like a great jazz combo. I still do it. John Ratzenberger creating jazz way I've turned down projects based on raunchiness before. John Ratzenberger turned-down projects It appalls me that the people who decide what Americans will be watching on the tube have never been to the United States. Not the real United States. John Ratzenberger united-states real people In L.A., though, people get off busses calling themselves actors, so many are really not professionals. John Ratzenberger actors calling people One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there." John Ratzenberger squirrels laughter fall It was the last generation of writers [ the Cheers] that had grown up reading books instead of watching TV. So you weren't getting anything that was derivative of I Love Lucy or Happy Days. You were getting real characters [like those] they read in P.G. Wodehouse or Dickens or somewhere along the line, because they had all grown up with a love of literature. John Ratzenberger cheer real book So many people aren't ready for Hollywood - professionally or practically. John Ratzenberger ready hollywood people I mean, Cheers [from the Star Wars] was just a job while we were doing it. All of us were really only hustling to pay the rent, weren't we. John Ratzenberger cheer stars jobs My uniform [in Star Wars] was cool. Not much else I can think of at the moment. You know, you don't know the enormity of these kinds of films until well after you're done. John Ratzenberger stars war thinking I never went to drama school, so that was more like I was getting away with it. John Ratzenberger get-away drama school I remember being fascinated by the graduated sizes and perspective on the sets [of Star Wars]. And how they put shorter people and kids in the uniforms and placed them in the distance to give the idea that these sets had more depth than they really did. John Ratzenberger distance stars war I don't know how many days I worked there [on Star Wars]. The thing I do remember was I somehow got a parking space next to Kermit the Frog. It was Jim Henson's space, with this Kermit the Frog sign. I took a photo of it and sent it to my mom with a caption that read, "Look, Mom. I made it. I got a parking space next to Kermit the Frog." I was always fascinated by the film-set infrastructures. John Ratzenberger stars mom war
