I think that in our society we use the word 'terrorism' a lot - individuals throw the word around a lot without carefully considering it.

Marshall Curry

Categorized in : Think Without Society Terrorism

At a certain point, you have to stop being precious with your material and be cruel and harsh and judgmental.

judgmental harsh

I've always been curious in why different people believe the things they do and do the things they do - in the different ways that people live.

different believe people

I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.

beautiful people thinking

There are some audiences who are uncomfortable with the ambiguity, though. They want a film to chew their food for them, they want Hollywood endings that tie everything together in the end and answer all of the questions. They are usually people on one extreme of the political spectrum or other and they haven't been happy because the film is not polemical enough on their side. They aren't usually people who aren't interested in understanding points of view that they disagree with - they just want to attack their opponents - and I'm ok with them not liking the film.

political understanding people

I think this is one of those issues where the deeper you dig, the murkier it gets - and everyone who has spent a lot of time thinking about these issues.

Balancing the complex point of view in the edit room was mostly a matter of challenging ourselves to keep digging deeper.

point-of-view challenges

I have wondered if I might be placed on a watch list of some sort by the government, though. I know that the documentary filmmaker Laura Poitras, who is a friend and who has made documentaries about controversial Middle Eastern terrorists has had trouble at customs when she travels internationally - but nothing like that has happened to me.

terrorist controversial trouble

I don't think that any law enforcement got in trouble for the event in Eugene where police sprayed the tree-sitters who were protesting the cutting of the trees for the parking garage.

cutting tree thinking

I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.

real complicated mind

It was our goal to dig into the characters and really try to find out why they think the things they think and why they do the things they do - and we got some amazingly candid and revealing interviews - but it's not my job to offer summary judgment on those interpretations.

goal character thinking

Most of this film, however, is about interpretation - are these people terrorists or freedom fighters? Are they good or bad? Is cutting timber good or bad? And I don't feel like the answers to those questions are simple, so we don't try to answer them for the audience. I wanted to elicit the strongest - and most heartfelt - arguments from the characters in the film and let those arguments bang up against the strongest arguments of their opponents.

cutting simple character

I think that any time you are making a film you have to realize that the people you are talking with might be giving you misinformation. Sometimes it is factually incorrect and for that, it's important to me to check it out and not let things find their way into the film without being challenged, either by me, or by another character, or by evidence that you might see on screen.

character people thinking

I took a leave of absence from the internet company where I was working and bought a camera and a copy of Final Cut Pro editing software and made my first feature film, "Street Fight." It followed a crazy, racially charged mayoral election in Newark, NJ in which a young guy named Cory Booker was taking on the political machine of that city. It went on to be nominated for an Oscar and Emmy and was a real example of DIY film-making.

crazy fighting real

I loved watching documentaries and had wanted to try making one for years - I'd just put it off as other opportunities arose. But I felt like time was running out for me if I wanted to do it.

opportunity running trying

I think if the extremists were happy with my films, I'd start to... by Marshall Curry

I think if the extremists were happy with my films, I'd start to worry.

film worry thinking

In fiction film, there are so many trappings - money, glory, champagne and supermodels - that attract the wolves. But in documentary film, there's none of that, so the wolves stay away. The only people who make docs are people who are curious about other people and just like making documentaries.

wolves curious money people

To me, the most interesting films are films that take very strong points of view and bang them up against each other and let sparks happen.

happen view me strong

As far as the balance between being a journalist, being an artist, being a storyteller - documentary filmmakers are all three of those things. The balance between them is affected by the film itself, the topic of the film.

things balance three artist

If I were writing an article for the newspaper, it would be thesis statement, information, information, supporting arguments. That would be the setup. When I'm making a documentary, the pacing of the film and the way that you sort of switch from character to character - all of those are more about storytelling than straight journalism.

you journalism character way

I think most documentaries are too long. by Marshall Curry

I think most documentaries are too long.

i-think too think long