I think there are patterns of the aftermath of colonization that you see echoed in cultures and communities across the world. Hanya Yanagihara More Quotes by Hanya Yanagihara More Quotes From Hanya Yanagihara There are some writers who also enjoy being authors, and are good at it as well. There is nothing performative about writing, but there is about being a writer. Hanya Yanagihara enjoywriting I'm not sure a person ever really reveals the whole of himsels or herself to another person, and I'm not sure we should. Or rather, just because you don't, it doesn't mean you can't have a meaningful relationship with another person. It's important to remember that this idea of confessing your most shameful, embarrassing stories and self to someone else as an expression of love and intimacy is a relatively recent phenomenon, and a new definition of what it means to be close to someone. After all, the self is by its nature secretive. Hanya Yanagihara importantremembermeaningful Of death, my father has always said that the best conditions are the ones in which you have plenty of time to prepare - to say what you need to say; to arrange your estate - and the ones in which you get to choose, or at least have some knowledge of, how and when it might happen. One can't elude death, but one can have a good death. Hanya Yanagihara plentyfather The big characters who occupy science, especially modern science, are all "off" in fundamental ways. I don't think that genius goes hand in hand with being socially inept or being a sociopath or being a misanthrope, but I do think that it is a mind that can think so differently - so beyond how one is supposed to think. I wanted to pay tribute to that mind. Hanya Yanagihara mindcharacterthinking I wanted to write about the time when science became modern, around the 1950s. Right after physicist J. Robert Oppenheimer, science started being so politicized and used as such a political weapon. When my father, who is a scientist, tells me about those years, I get a competing portrait of people who were expected to behave normally and be decent respectable members of society and who were also allowed this freedom to think in big and expansive ways. Now, when you think about people who work in labs, they're allowed to be socially inept in a very fundamental way. Hanya Yanagihara writingfatherthinking In the 1950s that tug-of-war between the expectations of behaving normally and the limitlessness of thinking freely produces some very strange characters. Hanya Yanagihara expectationscharacterthinking I always wanted to be a scientist. I don't really have any writer friends. The process of being a writer is much more interior than being a scientist, because science is so reactionary. I think that all research scientists think of themselves as belonging to a grand tradition, building on work that has been worked on since the very beginning of science itself. Whereas I'm not sure writers think of themselves in the same way. Hanya Yanagihara buildingtraditionthinking I've never really understood the desire to be immortal myself. The idea of both wanting to live forever in some form and wanting to stay young forever just sounds exhausting. It's one of those desires that people think they want but when you actually stop to think about what it actually means, it's really awful. One of the reasons that life is bearable is because it's going to end soon. One of the main concerns of fiction is how do we make a life of 85 years or so meaningful. Hanya Yanagihara meaningfulpeoplethinking If you start asking how do we make life meaningful and life never ends, then you get into sort of these terrible sort of metaphysical quandaries and it gets really, really bleak looking. Hanya Yanagihara metaphysicalmeaning-of-lifemeaningful To be a scientist you have to be willing to live with uncertainty for a long time. Research scientists begin with a question and they take a decade or two to find an answer. Then the answer they get may not even answer the question they thought it would. You have to have a supple enough mind to be open to the possibility that the answer sometimes precedes the question itself. Hanya Yanagihara mindsometimeslong My great strength as an editor, I believe, is structure: I know how to reorder a piece, I know how to reach into a jumbled story and extract the important narrative. And I can do both of these things very fast. I also think I've become better at cutting text. You don't always relish it, of course, but by now I know how to distill something without sacrificing its essence. Hanya Yanagihara sacrificecuttingbelieve I know I'm a better editor than I was when I began, twenty years ago. I'm less scared of the text, I'm less scared of the writer, and, crucially, I no longer believe that I have to leave my mark on every story. Hanya Yanagihara scaredbelieve Sometimes the most difficult thing you can do as an editor is not make a single note - the idea that everything and everyone needs editing is, in reality, a fiction. I've gotten pieces where I thought, Well, I could do this or that, or change this word, but in the end, I leave it. Changing something is not necessarily equivalent to making the piece more true to itself, which is the point of editing: it's just changing it because you feel you can or should or must. Hanya Yanagihara difficultsometimesreality As with editing, I think my strength as a writer is structure. It's not a skill that's much discussed when we discuss fiction, or not as much as language or character development anyway, but it's the first thing I determine before I begin writing - not just books, but anything. I think I know how to pace a narrative well. I think I'm aware of repetition, that I try to create different kinds of sentences as often as I can. Those are all things I learned from magazine editing. Hanya Yanagihara writingcharacterbook I'm an indulgent writer - I'm not sure, however, that's something I'm interested in changing. Writing should be indulgent: you should take big risks on the page, you should make big mistakes, you should be excessive at times. I let myself do as a writer what I probably would be less likely to allow as an editor. Hanya Yanagihara riskmistakewriting Much of an editor's job is in fact pretty nanny-like in nature: in many ways, you're there to protect and defend, to reassure and clean up. What I ask from writers is respect. I want them to respect me enough to turn in a clean draft. I want that draft to be as good as they can make it. I want to feel the thought behind those words. And I want it to be turned in on time. It drives me wild when I get a story that's obviously slapped together, and the same can be said for a manuscript; you should respect your reader enough to give her something that reflects your best efforts. Hanya Yanagihara efforttogethergiving It is always sort of unnerving to hear from people who've read my books. I'm not reading any of the reviews and most of my friends haven't read it - they bought it, which is all I frankly care about, but they haven't read it. Hanya Yanagihara readingbookpeople Florence is perhaps best known for being the seat of Renaissance art, and rightly so: A greatest-hits collection of artists passed through its streets - Michelangelo, Leonardo, Botticelli, and Brunelleschi among them. Hanya Yanagihara throughbestbeingart In Mumbai, the air is saltier. The sea is roilier. The traffic is snarlier. The pinks are pinker. The ostentation is crazier. Hanya Yanagihara mumbaitrafficairsea Those of us lucky enough to fall in love with Asia know that it's an affair that's as long as it is resonant. Hanya Yanagihara knowlovelongfall
