I've always looked over my shoulder, especially in my hometown. James Arthur More Quotes by James Arthur More Quotes From James Arthur Start listening to what you say. Are your comments and ideas negative? You aren't going become positive if you always say negative things. Do you hear yourself say"I could never do that","I never have any luck","I never get things right". Wow - that's negative self-talk! Try saying"I am going to do that","I am so lucky""I always try to get things right". Can you hear how much better that sounds? James Arthur selfinspiringideas If poems very different from my own bring pleasure to a group of readers, who am I to say that the poems should have been written differently? James Arthur groupsdifferentshould-have For me, poetry is a way of thinking, and like many poets, I'm driven by the idea of trying to find the impossible, perfect words: the words that will hold my subject. James Arthur perfectideasthinking I do like Canadian poetry. Christian Bök, Anne Carson, Carmine Starnino, and Don McKay are a few of the Canadian poets whose work has been important to me. But I'm not sure that I do see poetry as a world apart. Some of my metaphors are based in the fantastic, but I try to be true to life as I understand it. That understanding is affected by my Canadianness, my Americanness, my whiteness, my gender, my age, my education, my experience...everything about me affects my view of reality. But I try to wrestle against those partialities, not embrace them. James Arthur true-lifechristianreality As a species, we create tools to control our environment. What excites my imagination is wilderness: our materials' ability to escape our control. James Arthur environmenttoolsimagination When you recite you're giving a performance, in the way that an actor or a singer performs, and some poets are not interested in doing that, maybe because they're writing for a readership as opposed to an audience, or because they see poetry as a very private art. James Arthur writinggivingart Poetry isn't an efficient tool for preserving experience, any more than it's an efficient mode of communication, but who says that it should be efficient? James Arthur communicationtoolsshould I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions. James Arthur personalitybelievethinking My ideal reader is somebody who reads my poems out loud. James Arthur idealsloudreader If art doesn't require an audience, can an intimate conversation be a work of art? Can a thought be a work of art? Maybe. I don't know. These questions are completely hypothetical for me, because I love interacting with audiences. I want my poems to be heard. James Arthur intimate-conversationwantart I don't see why a poem couldn't be spoken out a car window or written on the beach at low tide. In fact, I'm sure people are doing it. James Arthur carbeachpeople I think that being mindful of your own biases tends to lead you into ambiguity, not clarity, and that following those ambiguities is the only way to approach the universal. James Arthur clarityambiguitythinking When I started reciting my own poems in public, I worried that it would seem too theatrical, but now I find recitation very natural, because it allows me to address audiences directly. James Arthur addressesworriednatural It's not realistic to imagine that any poem will last forever. Our species won't last forever! We try to capture and preserve our impressions of reality because it's all going away: everything we think and remember, everything we've ever felt, everyone we love. James Arthur remembers-everythingrealitythinking My dad, a mathematician, raised me to believe that mathematics is beautiful, so math is a part of my imaginative terrain. In my late 20s I wrote several 11-line poems because I wanted to create poems that couldn't be uniformly divided into couplets, tercets, or quatrains, 11 being a prime number. James Arthur dadbeautifulbelieve I'm a mix; I'm sure some of my Canadian friends find me very American, both in person and on the page. James Arthur find-me Maybe because I can't even put together an IKEA desk, I've never been tempted to think of my own poems as built objects - but I do sometimes imagine them as mathematical constructs. James Arthur ikeatogetherthinking I like poems that affect me emotionally and also provoke me to further, deeper thought. I enjoy challenge, but not, I think, for its own sake. James Arthur sakechallengesthinking I like poems that immediately claim my attention, instead of taking my attention for granted. At first read, I want to feel compelled to pick up the poem again; I want to be curious about its byways and secret corners. James Arthur secretwantattention Whenever I visit my family in Canada, I remind myself that what many Americans would consider forthright, many Canadians would consider overbearing. James Arthur my-family
